{"id":6040,"date":"2015-11-03T21:26:22","date_gmt":"2015-11-04T03:26:22","guid":{"rendered":"http:\/\/sites.dwrl.utexas.edu\/countrymusic\/?page_id=6040"},"modified":"2015-11-04T12:13:01","modified_gmt":"2015-11-04T18:13:01","slug":"landslide","status":"publish","type":"page","link":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/music\/landslide\/","title":{"rendered":"&#8220;Landslide&#8221;"},"content":{"rendered":"<p><em>Written by Stephanie Sebo. 3 November 2015.<\/em><\/p>\n<p><iframe title=\"The Chicks - Landslide (Official Video)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/J4_wXPZ1Bnk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: left\">\u201cLandslide\u201d, which was written by Stevie Nicks and performed by Fleetwood Mac, has become quite a popular song to cover. The Smashing Pumpkins, Stacey Kent, and the Dixie Chicks have all covered this song. It is about a women trying to get out of a dying relationship. Natalie Maines, lead singer of the Dixie Chicks, sings the part of the struggling women in the relationship who has to do some self-reflecting. \u201cLandslide\u201d originally appeared in 1975, but the Dixie Chicks covered it in their album <em>Home<\/em> in 2002, letting it reach <a href=\"http:\/\/robynnscorner.949starcountry.com\/story-behind\/january-14-2014-the-story-behind-landslide-by-the-dixie-chicks\/\">\u201cTop 10 of both the pop (number 7) and country charts (number 2)\u201d<\/a> (Robynn\u2019s Corner). I believe that \u201cLandslide\u201d is one of the most covered and well-known songs about troubles women have to go through toward the end of a relationship, but many people have heard the song without formulating an understanding of it. No matter what the general understanding of what the songs story is, we will get a taste of how emotions are conveyed in the Dixie Chicks cover of this song.<\/p>\n<p><img decoding=\"async\" class=\"alignleft\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/en\/thumb\/1\/1c\/Stevie_Nicks_-_1977.jpg\/220px-Stevie_Nicks_-_1977.jpg\" alt=\"\" width=\"176\" height=\"252\" \/>Before we dive into the Dixie Chicks cover of this song, let\u2019s get a little background information on the original. \u201cLandslide\u201d was written by Stevie Nicks in 1973 when she was in Aspen. She wrote it 3 months before she joined Fleetwood Mac. Stevie Nicks had been a waitress and a maid in her lifetime, but she knew she could do more. She wrote &#8220;When you see my reflection in the snow-covered hills&#8221; because that was the first time she had ever been around snow. Some people may think this song is all about break ups, but Stevie claimed to have written this song the night before her dad was operated on. When she looked at all the mountains and connected it to her life, <a href=\"http:\/\/www.inherownwords.com\/landslide.htm\">she realized everything could bring her down<\/a> in an instant (Nicks). Fleetwood Mac was more popular in the UK in the late 60s, but by the 1970s they charted higher in the U.S. The 1970s was also the time when the women of the band began singing leads in the songs. On New Year\u2019s Eve, in 1974, was when Mick Fleetwood called and asked Stevie Nicks to join Fleetwood Mac. \u201cLandslide\u201d was officially released in 1975, but wasn\u2019t released as a single. When Stevie Nicks joined the band was also the time when Fleetwood Mac singles began charting higher in the U.S. The song \u201cDreams\u201d hit #1 on Billboard US Hot 100 singles on June 18<sup>th<\/sup>, 1977. Stevie Nicks wrote this song and is the main singer in the recording. It\u2019s not a coincidence that the same time Stevie Nicks became a member of the band is when Fleetwood Mac gained more popularity. Stevie Nicks was a powerhouse women in the music industry in the 70s, and is still well known today. She paved the way for strong women musicians in years to come as a singer and a song-writer.<\/p>\n<p>The Dixie Chicks covered \u201cLandslide\u201d in 2002 in their album <em>Home<\/em> (Dukes). I think this song is very relevant because it was written at a time before Stevie Nicks was even in Fleetwood Mac and when she was going through a tough time in her life. This could also be said for the Dixie Chicks, this song was recorded by them immediately after their huge dispute with their record label, Sony. They claimed that Sony had been depriving them of their true earnings and were unhappy about it, leading them to sue Sony. This turned a lot of heads and made listeners in the country music world see a different side to the Dixie Chicks. They settled the dispute and then recorded <em>Home, <\/em>which is an album that includes many cover songs. I don\u2019t think the timing of the cover of \u201cLandslide\u201d was a coincidence. With the Dixie Chicks under a microscope from the Sony incident, they looked back at Stevie Nicks as a strong women who had to assert herself. They saw Stevie as not only an amazing singer, but also as a great song-writer, which proved to be a good time for them to record one of her songs. Both versions of \u201cLandslide\u201d have to do with women breaking through and showing their emotions to the world, while also telling people they are a force to be reckoned with. I believe this song is definitely geared toward women, and more specifically women who have been in a relationship where they know it is eventually going to die out. However, I think it is very possible \u201cLandslide\u201d has other audiences. For instance, in 2013, the song was used in a Budweiser commercial to play on the heartstrings of pet owners and the idea of coming home (songfacts). \u201cLandslide\u201d could also just generally be geared toward the younger generation experiences life and mistakes. I know Stevie Nicks wrote this song around the same time her father was going into surgery in Colorado, which is why the lyrics are so personal and up to interpretation. I believe the recording of this song by the Dixie Chicks had perfect timing for popularity because no later than a year after was when their anti-war statement got them a tremendous amount of heat from the public. If this song would have been covered by them after that issue, it wouldn\u2019t have been nearly as popular.<\/p>\n<p>Both versions of the song have distinct tastes. In Stevie Nick\u2019s version, there is only guitar and mild violin, which gives it a simple taste and really allows her pure voice to be heard. However, in the Dixie Chicks version, there is more instrumental elements that you find in more traditional country songs. Natalie also seems to emphasize words more by drawing them out or changing her pitch. Both versions portray their unique qualities very well and help draw out different appeals.<\/p>\n<p style=\"text-align: left\">I think the Dixie Chicks portrayal of \u201cLandslide\u201d plays on the emotional appeal of the audience. When listening to the fluidity of Natalie\u2019s voice, it reminds me of innocence. Her southern twang also adds a nice spice to the mix. Maybe it\u2019s the southern\/country twist that makes the song sound so sweet. Since the Dixie Chicks cover does have a country\/folk twist to it, it could affect the <img fetchpriority=\"high\" decoding=\"async\" class=\"alignleft\" src=\"http:\/\/ecx.images-amazon.com\/images\/I\/51rVhqmQvgL.jpg\" alt=\"\" width=\"292\" height=\"292\" \/>perception of the song. Tone matters, and hearing this song in a twangy tone with more instruments truly gives it a comforting feeling. Comparing this to Stevie Nicks singing it in a different era, it makes a big difference. While the Dixie Chicks cover sounds comfortable, Stevie Nicks gives off a rougher, rock vibe. Natalie really uses the lower pitches of her voice to add a soothing effect when listening to this song. This Dixie Chick version also includes the rest of the band, two other women, as the background vocalists, which I think can give the song a softer appeal rather than when men sing background. This differs from the original song because the background vocalists of the two groups join in at different times. The Dixie Chicks sing together more, whereas Fleetwood Mac members allow Stevie to have a more solo effect. Not only do the vocalists allow the audience to get a sweet sense of the song, but by adding in the mandolin with guitar for the instrumental parts in the Dixie Chicks cover allows the song to flow very well. When I heard this song for the first time I thought it had to do with \u201cfinding yourself\u201d, but quickly changed it to the idea of someone trying to get out of a relationship. When the lyrics say \u201cTake this love and take it down\u201d, the audience of young people get a feeling that this song is more about deep love rather than anything casual. This part of the song is also sang in a deeper tone by Natalie to show the seriousness and vulnerability in her voice. She is singing this song that lets all emotion run loose, which why it\u2019s great that she sounds more vulnerable. It gives a good connection to the audience because anyone can relate to feeling vulnerable about a situation or relationship. The song switched perspective in the last verse, by using \u201cyou\u201d instead of the previous singing in \u201cI\u201d form, to signify that the singer is singing to another person to tell them to go through everything she had to go through. This switch in perspective really helps the audience attach themselves to the situation and realize that everything that was just sung was a true journey and it is tough for anyone to travel through. The Dixie Chicks do a great job at singing this song like it is a story to tell everyone, which is also related to the country sound of the cover. Country music is known for telling stories, and this just so happens to match that theme. \u201cLandslide\u201d is a story about finding yourself and knowing when it is time to end a relationship or move on with your life.<\/p>\n<p>\u00a0\u201cLandslide\u201d also conveys ethical appeal based on credibility. Stevie Nicks wrote this song saying, \u201cHey, this is what I did, now it\u2019s your turn to walk in my shoes\u201d, and this is exactly what the song shows. Using the last verse as an example again, the perspective switches from first person to the use of \u201cyou\u201d. This could be credible because the singer has gone through everything she sang about before, making her a resource. Now knowing Stevie Nicks\u2019 background can give insight on what she has had to do to establish herself, helping people trust her as a narrator and storyteller. Natalie, from the Dixie Chicks, can also sing this song with much conviction because every women has gone through a part in her life where she needs to discover who she truly is. People also tend to believe country music has a more relatable sound, which is why it\u2019s so great that the Dixie Chicks were able to transform this already amazing song into something that will attract an even wider variety of audiences. <a href=\"http:\/\/rockalittle.com\/interview_cmt_aug2002.htm\">Stevie Nicks<\/a> thinks this cover is \u201creally quite an amazing metamorphosis for this song from generation to generation to generation and I&#8217;m so proud to be a part of it\u201d (CMT), which I think is always a good thing to hear from the original song writer.<\/p>\n<p>Whether it be the change of instruments or pitches in singer\u2019s voice, many small details can contribute to the overall theme of a song. The \u201cLandslide\u201d cover by the Dixie Chicks is one of my favorite covers, which is a lot coming from a huge Fleetwood Mac fan, and I think it is because of Natalie\u2019s tender voice mixed with southern twang along with the mandolin that allow the song to feel even warmer than before.<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<table width=\"480\">\n<tbody>\n<tr>\n<td width=\"90\"><span style=\"text-decoration: underline\">Time<\/span><\/td>\n<td width=\"132\"><span style=\"text-decoration: underline\">Section<\/span><\/td>\n<td width=\"198\"><span style=\"text-decoration: underline\">Listening Cues<\/span><\/td>\n<td width=\"204\"><span style=\"text-decoration: underline\">Discussion<\/span><\/td>\n<\/tr>\n<tr>\n<td width=\"90\">&nbsp;<\/p>\n<p>0:00<\/p>\n<p>&nbsp;<\/td>\n<td width=\"132\">Intro<\/td>\n<td width=\"198\">Instrumental<\/td>\n<td width=\"204\">Slow strums of the guitar and possibly some banjo in there gives the song a calm, happy beginning.<\/td>\n<\/tr>\n<tr>\n<td width=\"90\">&nbsp;<\/p>\n<p>0:12<\/p>\n<p>&nbsp;<\/td>\n<td width=\"132\">Verse 1<\/td>\n<td width=\"198\">\u201cI took my love and I took it down\u2026\u201d<\/td>\n<td width=\"204\">There are slight pauses in between lines where instruments come it. I think this adds a dramatic effect to this verse. It sets the tone for the song. The \u201cand I saw my reflection\u201d line picks up the pace, but it diminishes with the words \u201cbrought me down\u201d<\/td>\n<\/tr>\n<tr>\n<td width=\"90\">&nbsp;<\/p>\n<p>0:41<\/p>\n<p>&nbsp;<\/td>\n<td width=\"132\">Verse 2<\/td>\n<td width=\"198\">\u201cOh, mirror in the sky, what is love?\u201d<\/td>\n<td width=\"204\">\u201cWhat is love?\u201d is said in a much deeper tone of voice than the rest of the lyrics. When the \u201ccan I sail through\u2026\u201d line is played, there seems to be a faster beat and the words \u201cocean\u201d and \u201cof\u201d are emphasized. This verse has background vocals.<\/td>\n<\/tr>\n<tr>\n<td width=\"90\">&nbsp;<\/p>\n<p>1:07<\/p>\n<p>&nbsp;<\/td>\n<td width=\"132\">Instrumental<\/td>\n<td width=\"198\">\u201cUh ah\u201d and guitar playing<\/td>\n<td width=\"204\">While the guitar and instruments are playing, the words \u201cuh ah\u201d are sang and the second time are drawn out much more than the first.<\/td>\n<\/tr>\n<tr>\n<td width=\"90\">&nbsp;<\/p>\n<p>1:20<\/p>\n<p>&nbsp;<\/td>\n<td width=\"132\">Chorus<\/td>\n<td width=\"198\">\u201cWell, I\u2019ve been afraid of changing\u2026\u201d<\/td>\n<td width=\"204\">There is an emphasis on the word \u201cchanging\u201d and \u201cchildren get older\u201d. This chorus ends with the word \u201cwell\u2026\u201d before it breaks into the instrumental part. The chorus includes the other members of the band lightly singing along.<\/td>\n<\/tr>\n<tr>\n<td width=\"90\">&nbsp;<\/p>\n<p>1:49<\/p>\n<p>&nbsp;<\/td>\n<td width=\"132\">Instrumental<\/td>\n<td width=\"198\">Guitar and Mandolin<\/td>\n<td width=\"204\">Keeps the tune of the rest of the song until it breaks out toward the end where there is higher pitched strumming from the mandolin.<\/td>\n<\/tr>\n<tr>\n<td width=\"90\">2:13<\/td>\n<td width=\"132\">&nbsp;<\/p>\n<p>Chorus<\/p>\n<p>&nbsp;<\/td>\n<td width=\"198\">\u201cWell, I\u2019ve been afraid of changing\u2026\u201d<\/td>\n<td width=\"204\">Same emphasis on the words \u201cchanging\u201d and \u201cchildren get older\u201d. This chorus repeats the line \u201cwell I\u2019m getting older, too\u201d twice.<\/td>\n<\/tr>\n<tr>\n<td width=\"90\">2:46<\/td>\n<td width=\"132\">Verse 3<\/td>\n<td width=\"198\">\u201cSo, take this love and take it down&#8230;\u201d<\/td>\n<td width=\"204\">The word \u201cso\u201d is shaky and there is a short pause after it. Then \u201ctake this love and take it down\u201d sounds like it is being whispered. The words \u201cturn around\u201d come with a change in tone in the song. Those words are drawn out more. There is also a repeat in \u201cif you see my reflection in the snow covered hills\u2026\u201d and the second time it is said the words \u201csnow covered hills\u201d are sang louder and with a different tone. This verse ends with repetition of \u201cwell maybe\u2026\u201d, which is drawn out and the last one includes the rest of the band harmonizing it.<\/td>\n<\/tr>\n<tr>\n<td width=\"90\">3:40<\/td>\n<td width=\"132\">Outro<\/td>\n<td width=\"198\">\u201c\u2026the landslide will bring you down\u201d<\/td>\n<td width=\"204\">This comes at the end of the last verse, but since the pace of the song slows down and it concludes the song, it is an outro. There is one last strum of the guitar while the word \u201cdown\u201d is sung.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<hr \/>\n<p>Work Cited<\/p>\n<p>Dukes, Billy. &#8220;Song Suffragettes Cover the Dixie Chicks&#8217; &#8216;Landslide'&#8221; <em>Taste of Country<\/em>. N.p., n.d. Web. 27 Oct. 2015.<\/p>\n<p>&#8220;January 14.2014 \u2013 The Story Behind \u201cLandslide\u201d by the Dixie Chicks.&#8221; <em>Robynns Corner<\/em>. N.p., n.d. Web. 27 Oct. 2015.<\/p>\n<p>&#8220;Landslide by Fleetwood Mac Songfacts.&#8221; <em>Landslide by Fleetwood Mac Songfacts<\/em>. N.p., n.d. Web. 27 Oct. 2015.<\/p>\n<p>&#8220;Stevie Nicks &#8211; CMT Interview with Dixie Chicks.&#8221; <em>Stevie Nicks &#8211; CMT Interview with Dixie Chicks<\/em>. N.p., n.d. Web. 27 Oct. 2015.<\/p>\n<p>&#8220;Stevie Nicks on Landslide.&#8221; &lt;i&gt;Stevie Nicks on Landslide&lt;\/i&gt;. N.p., n.d. Web. 03 Nov. 2015.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Written by Stephanie Sebo. 3 November 2015. \u201cLandslide\u201d, which was written by Stevie Nicks and performed by Fleetwood Mac, has become quite a popular song to cover. The Smashing Pumpkins, Stacey Kent, and the Dixie Chicks have all covered this &hellip; <a href=\"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/music\/landslide\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":113,"featured_media":0,"parent":18,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6040","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/pages\/6040","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/users\/113"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/comments?post=6040"}],"version-history":[{"count":11,"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/pages\/6040\/revisions"}],"predecessor-version":[{"id":6183,"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/pages\/6040\/revisions\/6183"}],"up":[{"embeddable":true,"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/pages\/18"}],"wp:attachment":[{"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/media?parent=6040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}