{"id":2845,"date":"2014-12-03T13:10:02","date_gmt":"2014-12-03T19:10:02","guid":{"rendered":"http:\/\/sites.dwrl.utexas.edu\/countrymusic\/?p=2845"},"modified":"2015-01-22T11:03:46","modified_gmt":"2015-01-22T17:03:46","slug":"dancing-on-the-grave-of-country-music","status":"publish","type":"post","link":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/2014\/12\/03\/dancing-on-the-grave-of-country-music\/","title":{"rendered":"Dancing on the Grave of Country Music"},"content":{"rendered":"

\"Florida_Georgia_Line_Nicholas_Zalud\"Never before had someone expressed my feelings better than I could myself, but Jaime-Paul Falcon did just this in his review<\/a> of the Florida Georgia Line and Jason Aldean<\/a> concert at the Gexa Energy Pavilion in Dallas on October 25th<\/sup>. I do not like bro-country because it is not real country. If I showed you a picture of two guys dressed in jeans with chains hanging from their belts and cut-off shirts (that had their own band\u2019s logo on it..) that show their tattoo-covered arms, I doubt you would guess that they are considered to be country artists. I doubt this because country artists are typically considered to be classy, all American boys\/girls. Bro-country artists<\/a> include rap in their songs, which makes no sense to me, wear outfits like the ones I just described, and have no real musical talent (in my opinion). I know I sound harsh, but I just can\u2019t help how much I dislike bro country.<\/p>\n

\"jason-aldean\"And neither can Jaime-Paul Falcon. He explained my feelings about bro-country better than I ever could. He stated that he would \u201cgladly endure [ebola] so long as I never again have to suffer the experience of sitting seven rows back from the stage while Florida-George Line and Jason Aldean gleefully danced on the grave of one of the most purely American forms of art\u201d. Harsh, but true. So many country artists in the past (George Strait<\/a>, Conway Twitty, Johnny Cash, Merle Haggard<\/a>, Loretta Lynn<\/a> \u2013 the list goes on and on) have made great songs that had meaningful lyrics, beautiful instrumentation, and are genuinely good quality songs and bands like Florida Georgia Line and Jason Aldean are most likely making some of these artists roll over in their graves.<\/p>\n

These great artists didn\u2019t make songs about drinking booze and picking up girls in their jacked up pickup trucks \u2013 they sang about love, heartbreak, and the country lives they actually lived. Tyler Hubbard and Scott Stapp of Florida Georgia Line and Jason Aldean did not grow up on farms or live the lives they describe in their songs. And neither did their audience. As Falcon described it, \u201cI swear it\u2019s like the people who love these songs don\u2019t realize that none of them are actually farmers\u201d. Jason Aldean and Florida Georgia Line also constantly sing about partying and drinking beer and getting girls. That\u2019s not what I want to listen to \u2013 I want to hear about love and living the best life possible.<\/p>\n

I definitely recommend reading this review for any country fan, especially those who do not think bro-country is real country music. It is humorous, witty, and in my opinion, true. Bro-country is not country music. I\u2019ll admit, I often catch myself bobbing my head to songs like \u201cWhen She Says Baby\u201d and I know every word to \u201cCruise\u201d, but I do not think these are good quality songs or are real country.<\/p>\n","protected":false},"excerpt":{"rendered":"

Never before had someone expressed my feelings better than I could myself, but Jaime-Paul Falcon did just this in his review of the Florida Georgia Line and Jason Aldean concert at the Gexa Energy Pavilion in Dallas on October 25th. … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":39,"featured_media":2847,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57,55],"tags":[],"class_list":["post-2845","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bro-country","category-country-pop"],"_links":{"self":[{"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/posts\/2845","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/comments?post=2845"}],"version-history":[{"count":3,"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/posts\/2845\/revisions"}],"predecessor-version":[{"id":2850,"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/posts\/2845\/revisions\/2850"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/media\/2847"}],"wp:attachment":[{"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/media?parent=2845"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/categories?post=2845"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.dwrl.utexas.edu\/countrymusic\/wp-json\/wp\/v2\/tags?post=2845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}