Monthly Archives: March 2015

Country Radio Needs to Change

Gary Overton, Sony CEO

Gary Overton, Sony CEO

As I worked on my album analysis for Aaron Watson’s album The Underdog, which grabbed the No. 1 spot on the US Country Billboard Chart, I came across an interesting article, “Sony Nashville CEO talks importance of country radio.” Gary Overton, Sony CEO, said in the interview that he can be quoted several times a day saying, “If you’re not on country radio, you don’t exist.” This statement angered many people including independent country fans and artists. Many independent artists have much support from fans, but find themselves ignored by mainstream country radio.

Country radio is not capable of embracing individual country artists. Individual country artists are unique and have an authenticity that cannot be found with the current mainstream artists. I can tell that country fans want something different and country radio should adapt – playing both mainstream and independent artists.

the underdog

Aaron Watson’s No. 1 Album, “The Underdog”

Aaron Watson is an independent Texas Country artist who has been in the industry for 15 years, has produced 12 albums and performed over 2,000 shows. However, he has been rejected by mainstream radio despite having the No. 1 US Billboard Country album. His response to Overton’s comment was, “My name is Aaron Watson. I am not played on country radio. And I have the #1 record in country music this week. I do exist.”

Charlie Robinson, a Nashville artist turned independent, also offered his opinion on the matter, stating “I have a job today but as soon as Florida Georgia Line goes out of style, and believe me they will, you [Gary Overton] will not exist.” Of course, Florida Georgia Line felt compelled to comment on Twitter that they have lost all respect for Charlie Robinson.

Many factors contribute to the success of artists, but radio play is not the most important. In fact, Overton’s own artist Garth Brooks had to deal with the issue of mainstream radio when they rejected his comeback single “People Loving People” and its follow up “Mom.” However, due to his loyal fan base, Garth Brooks has experienced no difficulty in selling out shows. Dedication and perseverance are two important qualities that country fans look for in artists. Independent artists certainly contain those characteristics.

There is no denying that radio play contributes to the commercial success of an artist, but it doesn’t determine whether they exist or their level of talent. I’m sure that many independent artists would benefit greatly if the mainstream radio stations accepted them. However, I don’t base an artist’s success or talent on how much airplay they get. I base it on the music and what I think about their songs after they end.

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Filed under News, Reflection, Texas

A Quick Trip With Willie

Last week, my parents came to Austin to visit for the weekend. They were extremely excited to leave the bitter cold in Chicago and come down to one of their favorite cities (even though it would only be just a bit warmer than back home). They have been coming to visit once a semester for the past three years and each time they come and spend some time in Austin, they love it more and more. We have done all kinds of tourist-y things in Austin, but one thing we had not done was educate ourselves on some good ‘ole country music.

My mom and I visiting the Willie Nelson statue

My mom and I visiting the Willie Nelson statue

And so, this time when they visited I made sure to tell them, as well as show them, all about Willie Nelson. We all agreed that Willie Nelson had to have been a big deal in the music industry to deserve a statue in the middle of the downtown area of the state capital and the live music city of world.  We paid the statue a visit, and then became more curious about him as an artist as well as a person.

And so, we gave ourselves a little bit of a history lesson. My parents had no idea that Willie Nelson had moved from Nashville to Austin where he became a key figure in the “Outlaw Country” scene (I had already learned this fun fact, so hah!). He made his transition from the clean-shaven songwriter in Nashville, to the long-hair-don’t-care outlaw that started here in Austin, and is how he remains today.  The city of Austin played a huge role in his transformation, and in turn he had a large impact on the city of Austin.  Another interesting fact we learned was that Willie Nelson was raised by his grandparents, who had studied at a music school in Chicago. It gave us a little more of a connection to Willie, and that was exciting.

After our history lesson was over, we proceeded to listen to some of Willie’s songs. One song that we happened to like was “Blue Eyes Crying in the Rain.”  It was a song I had never heard before but quickly took a liking to for it’s mellow tone and somber message of love and sadness.

My mother and father always knew that Austin had a huge live music scene, but I do not think they realized just how large of a scene it is and how far back that went. Thanks to our quick trip with Willie, my parents and I got to see a whole new side of Austin and the variety of things it has to offer.

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Eric Church v. Concert Experience

What an experience! I bared the cold to go to the Eric Church concert on Wednesday at the Frank Erwin Center. Although I knew who Eric Church was, I didn’t know very many of his songs and was honestly not sure if I was going to enjoy myself at the concert. Now thinking back it’s really hard to differentiate between liking the artist and enjoying the concert. In my opinion, the concert was okay, but I really liked Eric Church and have a new found interest in him as an artist. Confusing, right? Not really once you start to think about all of the things that can affect a concert experience.

The openers, Drive-By Truckers, were a rocky start. The guitar drowned out the vocalist to the point that I really didn’t understand what he was saying the entire time. Their stage presence was so-so; they seemed more involved with what was happening on stage and not the audience, at some points completely turning away from the audience. Watching from high above (in a seat where even the jumbo viewing screens were blocked), it was obvious that the crowd was not feeling them either. The general admission floor was practically at a complete stand still. Because I am more attuned to really active floor audiences that come with other genres of music, this was really surprising, but as it continued, it became more and more obvious that it wasn’t just because this was a country music concert. Continuing to scan the audience, I noticed that nearly everyone around me had their phone out and was scrolling through Facebook and Twitter feeds. If people don’t even want to put their phone down to listen to you, you are doing something wrong! When a high pitched squeal rang out in the Frank Erwin Center, a guy behind me summed up there entire performance perfectly, “That was the best thing I have heard all night!”.

Already frustrated with the night, my friend and I decided to snag some seats down closer to the stage. Once we sat down, crossing our fingers to not have an awkward encounter with someone saying “Umm.. That’s my seat”, the view of the stage was epic. We waited for Eric Church anxiously. As he began with a few of his more well-known songs, it became obvious that the people we were sitting by were ready to party, and party hard. The couple immediately next to us proceeded to make-out, grind on each other (at one point the guy picked the girl up in a very intimate position to say the least) and scream the entire night. When Church played “Smoke a Little Smoke”, a few brave souls decided it was the perfect time to light up a smoke, not the legal kind. The smell surrounded us, and the crazy woman next to us was intent on finding out who she “needs to be friends with” to have a little fun of her own.

Now don’t get me wrong; Eric Church was phenomenal! His stage presence and audience interaction was incredible; from playing fan favorites to telling stories to signing boots that were thrown on stage, Eric did it all and gave us more than we could have ever imagined for a Wednesday night concert. No matter how fantastic an artist’s performance is, a concert experience can be hindered by anything from openers to the people around you. With this in mind, in the future, I would like to ward you against intertwining the two. Eric Church was awesome! My experiences at the concert were not quite as good, but that does not mean I think poorly of the artist.

How was your experience? Has a bad experience at a concert made you think differently of an artist in the past?

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Filed under Austin, Live Music, Reflection, Reviews

Best of Brooks and Dunn

Deciding on an album for the Album Analysis Paper was an EXTREMELY difficult process, for me at least. I went through album after album, artist after artist, and I still question “Have I made the right choice?”. Because I decided on a Rascal Flatts album, I thought it was only necessary to highlight one of the artists that I tossed around as an option. Even then it was still difficult to decide… Garth… Kenny… Brad… Carrie… but seeing as though Brooks and Dunn was the first concert that I had ever been to, country or otherwise, I decided a playlist of my favorite Brooks and Dunn songs would be the best choice.

Although no longer together, I had the honor of seeing Brooks and Dunn in concert three times! I definitely have a special place in my heart for this duo and what better way to show my love for them than through a playlist of my own (in no particular order).

“That Ain’t No Way to Go”

This Brooks and Dunn classic was the last single to drop from their 1993 “Hard Workin’ Man” album and was the sixth No. 1 single for the country duo. Although sad lyrics, this catchy song has a way of sneaking its way into your heart and your head.

“Play Something Country”

This 2005 boot-stomper was the 20th and final No. 1 single for Brooks and Dunn, but it was quite a way to go out! This fun song makes you want to get up and dance, obviously to “something country”. The call out for honky-tonk tunes was heard loud and clear!

“Red Dirt Road”

With the classic sound of Brooks and Dunn and the relatable topics of “Red Dirt Road”, you can’t go wrong. There is no surprise that country fans agreed as this song soared to No. 1 and still continues to be a country music anthem.

“She Used to Be Mine”

‘She Used to Be Mine’ was another hit from the pair’s 1993 “Hard Workin’ Man” album, and yes, yet another No. 1. This is a beautifully sad song about a long lost love that will never be forgotten.

“My Maria”

A cover of B. W. Stevenson’s original ’70s Top 10, “My Maria” was also a chart-topper for Brooks and Dunn. It is definitely one of my favorites; you really can’t have a Brooks and Dunn playlist without this 1996 Song of the Year and Grammy Winner.

“Neon Moon”

Yet another No. 1, “Neon Moon” is a slow dance, Brooks and Dunn Classic from their album “Brand New Man”(1992). Turning 23 years old this month, this song still draws the crowd to the dance floor and remains one of my all-time favorite country songs.

“Boot Scootin’ Boogie”

You can’t get more country than a little “Boot Scootin’ Boogie”! A 1992 again from their album “Brand New Man” this song makes you want to throw your boots on and head out to a dancehall.

“Brand New Man”

What a beautifully romantic country song! This song speaks to me and obviously too many others as it was yet another No. 1 for the country duo.

“Ain’t Nothin’ ‘Bout You”

This No. 1 from their “Steers and Stripes” (2001) album went on to be their second biggest hit. Personally, when I think of Brooks and Dunn, this is the first song that comes to mind. The passion and love in this song is inspiring and most definitely deserving of its No. 1 status.

“Only in America”

Who doesn’t love a country song describing the beauty of the American Dream! This song combines relatable life stories and the patriotism of true Americans to create, you guessed it, a No. 1 hit!

There is so much to love about Brooks and Dunn, and this is just the surface of their legacy in country music. This playlist reflects my favorites but what did I leave out? The beauty of music is that everyone experiences each song, artist, and album completely differently. What are your favorite Brooks and Dunn songs?

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Filed under Lists, Music Videos

Texas is Everywhere

Personally, my favorite (unofficial) subgenre of country music would have to be Texas Country. From Pat Green to Aaron Watson to Robert Earl Keen, I love the sounds and music of country artists that are authentic to the Lone Star State. Historically, I have always thought that the only place Texas Country is listened to and/or has an influence on people is in Texas. That seems like a pretty logical assumption, however, a recent trip I went on changed my beliefs.

I went skiing in Vail, Colorado with a group of my friends several weeks ago, and it was at the base of the mountain that I saw how Texas Country is not just popular in Texas, but has transcended state boundaries. As I’ve gotten older I have progressed more towards what is known as a half-day skier, spending my mornings on the slopes and my afternoons walking around the town. On one of the last days of our trip, my friend Forrest and I decided to head into town a little earlier than the rest of our group. We chose to go kill some time at Pepi’s, probably the most famous restaurant and bar of Vail Village, waiting for the rest of our friends to come off of the mountain. As we walked into Pepi’s, Garth Brooks’ “Friends in Low Places” was being played by the bar-band, and I immediately knew it was going to be an enjoyable atmosphere. After about 10- 15 minutes of playing country music classics, the band took an unexpected turn. The lead singer got up off of his stool and asked, “There any Texas boys here today?” Immediately, Forrest and I made some noise and he flashed us a Hook’Em. The band would go onto play Texas Country for the remainder of their act, including an incredible rendition of Ryan Bingham’s “Southside of Heaven”. Other artists they covered were Pat Green, Aaron Watson, Willie Nelson and Cory Morrow- all artists I had thought (with the exception of Willie) were only listened to in Texas.

Following the band’s performance, Forrest and I went over to talk to them about their great taste in music. The lead singer told us that while he has never lived in Texas, he has always enjoyed Texas Country, and that Robert Earl Keen was his biggest musical influence. What surprised me even further is hearing how much various assortments of people, from all over the world, are into Texas Country. There were several people at a table near ours from South America, and following the band’s gig they asked us the names of Pat Green songs to find on Spotify. Essentially, it was neat to see how other people from different backgrounds and cultures enjoy the music of Texas. Also, it was fun to be able to travel to Colorado, yet still enjoy music that reminded me of home. While “Texas Country” may or may not be an official subgenre of country music, I believe that in several years, with its continual growth, it will constitute a popular stream of country music inside and outside of the state of Texas.

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Filed under Live Music, Texas