Category Archives: Progressive Country

Home With the Armadillo: Jerry Jeff Walker and ¡Viva Terlingua!

jerryjeff2I first became familiar with Jerry Jeff Walker’s album, ¡Viva Terlingua!, on the fourth of July a couple of years ago. I was playing in a band at a house party in East Dallas. We heard that there was a great group playing next door so we went over to check it out. There we found a grizzled pair of old men playing early rock standards such as Buddy Holly’s “Not Fade Away” and Sam the Sham and the Pharoh’s “Wooly Bully.” At the end of their set, they played a song called “London Homesick Blues.” The drunken crowd seemed to already know every word.

“I wanna go home with the Armadillo,

Good country music from Amarillo and Abilene,

The friendliest people and the prettiest women you’ve ever seen.”

I’d never heard the song but it was impossible not to sing along. Afterwards, my friends and I introduced ourselves to the band and talked with them for a while. The leader turned out to be Bob “Cosmic Bob” Livingston who was a founding member of Jerry Jeff Walker’s band The Lost Gonzo Band.

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The next day I woke up and listened to ¡Viva Terlingua!, the album that featured “London Homesick Blues” as well as many other songs the band had played the previous night. It instantly became one of my favorite country albums I’ve ever heard.

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Jerry Jeff live with Guy Clark and Dave Perkins

¡Viva Terlingua! was a live album recorded at Lukenbach, Texas on August 18th, 1973. It’s often seen as the seminal album of the progressive country scene. This offshoot of country music occurred mostly in Austin in the 70’s when country artists started embracing the hippy movement. I think this “progressive” sound comes through in the album in its laid back, party feel. At times Jerry Jeff sounds almost drunk while singing as the crowd yells out in approval. The first song on the record,“Gettin’ By” is an autobiographical account of Jerry Jeff’s carefree, hell raising lifestyle he was living as a musician.

In the next song on the album, Jerry Jeff dips into the catalog of fellow Texan and folk musician, Guy Clark with “Desperadoes Waiting For A Train”

The song is about Guy Clark’s childhood mentor growing old and slowing down. The haunting violins and intensified drumbeat late in the song give it an eerie runaway train sound.

The next song on the album is “Sangria Wine” a fun song about drinking with friends. This is followed a sad song with an upbeat tempo, “Little Bird,” and the rock influenced “Get It Out.” Following these songs is the classic “Up Against the Wall Redneck Mother” written by Ray Wylie Hubbard.

“Backslider’s Wine” and “Wheel” follow “Redneck Mother” and have a more somber feel.

c504bcfc582063df91a13b4ea519332bClosing out the album is “London Homesick Blues,” written by piano player, Gary P. Nunn, which is about a country singer feeling homesick for Texas while on tour in Europe. For me, this track sums up what country music and recordings should be. The band is tight but is at the same time playing relaxed.

The repeated chorus and howls from the crowd towards the end of the song left a huge impression on me that July 4th a couple of years ago and continues to resonate with me to this day.

Here’s the version from the album, which is my favorite one, as well as a later live version.

Track Listing

1.    “Gettin’ By” – 4:01

2.    “Desperados Waiting for a Train” (Guy Clark) – 5:47

3.    “Sangria Wine” – 4:25

4.    “Little Bird” – 4:10

5.    “Get It Out” – 3:37

6.    “Up Against The Wall, Redneck Mother” (Ray Wylie Hubbard) – 4:32

7.    “Backslider’s Wine” (Michael Martin Murphey) – 3:34

8.    “Wheel” – 6:00

9.    “London Homesick Blues” (Gary P. Nunn) – 7:43

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Filed under Austin, Classic Country, Live Music, Progressive Country, Texas

Country Finds Its Beach

After spending the past week on a beautiful Bahamian beach listening to nothing but the waves on the shore and country music, it dawned on me that there may just be a new subgenre of country that, though small, is growing. Usually country contains themes of back roads and conservative ideals, but beach country has definitely changed that, evoking themes of sand, surf, and piña coladas.

This trend seemed to grow out of greats like Jimmy Buffett and his Margaritaville to Kenny Chesney and is now dominated by Luke Bryan and, to an extent, Zach Brown Band. Of course there are many others who have made music that sounds more beach-y than country, from Brad Paisley to Garth Brooks, everyone is hoping on the sandy bandwagon.

Luke Bryan in particular took advantage of this niche market by creating multiple spring break sets and performing in popular spring break locale Panama Beach. For the past seven years, Bryan has released a Spring Break EP to accompany his shows. Although the music isn’t his highest quality, it definitely is meant for the beach and the young adults that flock to it. This spring break marks his final shows and at 38 that’s probably an appropriate move as he’s two decades older than the average college freshman.

I think the expansion creates an interests from a wider fan base, one that might have traditionally listened to soulful and smooth Colbie Callait or Jason Mraz and wants to hear more sunny tunes. It definitely appeals to younger audiences and allows them an easy segue into more traditional country, particularly when such big names and well-known artists delve into the beachy trend.

However, I think the island tunes are become a lot more than a trend. Many have begun to incorporate more Caribbean sounds like the steel pan and mimic some defining characteristics of Calypso music with rhythmic and harmonic vocals.

Here are some of what I think are the most defining songs of the beach country movement:

Margaritaville – Jimmy Buffett

This is probably the most iconic and well-known beach country song. First recorded in 1977, it eventually reached number 8 on the USA music charts and number 1 on the Easy Listening charts. It evokes images of the beach, margaritas, and women. What makes it country is mostly the guitar and the alcohol and women references.

https://youtu.be/J17sdUGOct0

Two Pina Coladas- Garth Brooks

Garth Brooks is largely celebrated as one of the best country artists of all time. When he released this song in 1998, it hit number 1 on the US and Canadian country charts. It, too, evokes the slower, harmonic vocals with some call-and-response tactics while using themes of alcohol, lovesickness and the beach.

No Shoes, No Shirt, No Problem – Kenny Chesney

Kenny Chesney is nearly unparalleled in his ability to capture the laid-back living that comes at the seaside. In this instant classic, there’s a clear mix of country and Calypso with steel guitars, acoustic guitars, drums, and tambourine. The island escapism so often seen in many of these songs is clearly evident here as he sings, “no boss, no clocks, no dress code.”

Suntan City – Luke Bryan

Like said, Luke Bryan’s spring break EPs aren’t his greatest works. While this song sounds different from the previous three, I think it still stands as beach country or a blend of bro-country and beach. It was released on Luke Bryan’s first spring break EP, “Spring Break… Here to Party.” It talks about a lot of similar themes as bro-country like women, beer, and kicking back with friends (in this case on the beach).

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Filed under Country Subgenres, Live Music, Music Videos, Progressive Country