Category Archives: Movies and TV

“He Stopped Loving Her Today”: A Comparison

As I scrolled through Facebook the other day and just as my roommate was talking about auditioning for The Voice, I came across a video from NBC’s The Voice. I used to watch The Voice when it first aired, but due to a lack of time I stopped watching it. Anyway, sometimes a video will pop up on my newsfeed, and when that happens I check it out. They have to be a pretty good singer, right? Well, Cody Wickline certainly was. Cody sang the great George Jones classic “He Stopped Loving Her Today”, most likely trying to appeal to Blake. Donning a black cowboy hat and an acoustic guitar, it didn’t take long for one of the judges, Adam Levine, to turn around. However, eventually all judges turned their chairs after realizing how much talent Wickline has. Even though Christina, Pharell, and Adam made their plea for Wickline to join their team, he ultimately chose to stick with country and be a part of Team Blake.

https://www.youtube.com/watch?v=VhoYhMk7VSg

After listening to Cody Wickline’s version of the hit song, I had to listen to the original. You can’t help but notice how similar Wickline’s sound is to the original. Wickline has a slightly smoother sound, in my opinion which could be just the audio quality, but there is something to be said about George Jones’s ability to have so many number one hits without the use of autotune technology. In both versions, you can definitely feel the emotion behind the lyrics; there is a sense that Wickline has a connection to the original song either through experience or just by listening to it as a kid. It is such a simple song that really focuses on the voice and lyrics rather than having heavy instrumentals. That is part of the reason this song was a good choice for Wickline to perform in the blind auditions. Country is a strength for Wickline, so it will be interesting to watch as the season progresses if and how he will adapt to various songs in different genres.

Just to bring in one more artist to compare, I also listened to Alan Jackson perform the song at the Grand Ole Opry in May 2013 to memorialize George Jones seeing as he had recently passed away. Alan Jackson definitely sticks to the classic sound and simple performance style of the song and performs it beautifully. Listening to all three versions, I came to the conclusion that unless you are just a bad singer you can’t really mess up this song. Its simple instrumentals, deep lyrics, and popularity in the country music genre makes it a great song to give tribute to the classic country subgenre and George Jones.

https://www.youtube.com/watch?v=GbjpbqowX3Y

What is your favorite version of “He Stopped Living Her Today”? Do you watch The Voice? Do you think Cody Wickline will make it far in the show? Leave your thoughts in the comments below.

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Filed under Classic Country, Movies and TV, Reviews, Song Analysis

Assessing the Grammy’s, Country Music Style

The Grammy Awards reign as music’s most important award show, but not necessarily to country music. The country genre is generally not recognized by the major awards, like Best New Artist and Song of the Year, but the awards within the the genre help to provide it with more exposure. In particular, the performances by country artists allow the genre to perform for a new audience, and show off their unique production and performance style.

Miranda Lambert’s performance of “Little Red Wagon” started witimageh her showing off an incredible and well-planned outfit. She wore a black jumpsuit which emulated a Top-40 mantra, but reflected her roots with some snazzy cowboy boots. Her set design featured neon red lights, fireworks and smoke. But the most interesting part of her performance was the censorship by CBS of some of the lyrics. I’ve listened to a lot of her songs, and while mainly on the radio, I’ve never picked up on any of her content to be remotely inappropriate. After doing some research (or just googling the lyrics), I was kind of surprised that an entire line of her song was bleeped out for the use of one common expletive. Truthfully, it took away from the end of what was a spectacular live performance by Lambert.

imageThe second country performance of the night was by Eric Church, who got the opportunity to sing “Give Me Back My Hometown” in addition to being nominated in four categories, including Best Country Album for The Outsiders. Unlike the radio edit, the instrumentation includes a banjo melody that really brings the country roots to the Grammy’s stage. The backdrop contained stop motion film of various scenes featuring destruction of many hometowns throughout the world. At the bridge, the film shows all the scenes in reverse, providing the audience hope for the end of city violence. I thought his performance, while his sunglasses added an always interesting element, was really well put together and a highlight among a lineup with many emotional performances.

Brandy Clark, in addition to being nominated for Best New Artist and Best Country Album, got to perform an acoustic version of her song “Hold Your Hand” with Dwight Yoakam. I haven’t actually heard Brandy Clark before, and didn’t know how big of a deal she was, until I noticed she was nominated for Best New Artist among big names like Iggy Azalea and Sam Smith. The performance was the most natural of the night, and the smooth alto voice of Clark drew my attention to the song.

imageOverall, I thought the country performances of the night all showcased unique aspects of country music: acoustic guitar, banjo, and an uptempo powerful confidence. In particular, I hope to hear more of Brandy Clark on country radio — I think she’s soon to be a force to be reckoned with.

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Filed under Awards, Live Music, Movies and TV

Saturday Night Live: Where’s the Country?

SNL1674_BLAKE_SHELTON_FULL_EPISODEA couple weekends ago, Saturday Night Live gave a country musician the chance to host the show for the first time since Taylor Swift headlined in 2009. While the episode didn’t get the greatest ratings, it allowed Blake Shelton to get country music back onto an important musical stage. In an era where country music is put on the back burner to feature artists whose musical tours are more of a production than a performance, Blake Shelton may have opened the door for country to be featured on television again.

After realizing I hadn’t heard country music on SNL in recent memory, I stumbled upon a CMT timeline of country hosts and performers since the show’s inception in 1975. In the earlier years of Saturday Night Live, country artists were featured in higher frequency. In the year 1982, both Johnny Cash and Charlie Daniels Band performed on SNL within weeks of each other. Willie Nelson has been featured as both a musical guest and a host/participant. All three of these artists drew attention to country music through televised media, whether they were in a skit mocking country music or performing their songs to a sold-out crowd. However, only two artists performed on SNL in the entire decade of the 90s. So my question is, what happened?

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The 90s might be a musical decade highlighted by the rise of stars like Britney Spears and *NSYNC, but many great country groups enjoyed sound careers during this time. Even since the rise of the boyband, Justin Timberlake has been featured on SNL multiple times. Trisha Yearwood’s “She’s In Love With The Boy” is a song I remember hearing as a kid, before I even got into country music. Alabama received multi-platinum success on several albums from the 80s through the 00s, but they were never a host or performance feature on the sketch-comedy show.

While country music is less popular than Top-40 style pop, the artists are frequently commended for their fan interaction and genuine persona in an industry in which these traits are few and far between. Wouldn’t a people-pleaser be a great choice for the host of SNL? Someone who could work well with others in a skit and is also able to give a great live performance at the end? I’d be curious to see what the producers of SNL have to say about their continued decisions of a lack of country music presence.

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Filed under Live Music, Movies and TV, Reviews

Nashville: New Episodes Starting Feb. 4

nashville-tv-show-1-480x240As an urban city dweller from northern Chicago who has quite literally “Gone to Texas,” my take on the hit TV series Nashville is most likely different than most. I am coming up on the end of my third year here at the University of Texas at Austin, but what brought me to the fine state of Texas is different than most: the weather. Two and half years ago I took my first step in Austin, Texas, ready to leave the cold weather behind and embrace the southern charm of a southern state. One thing I did not expect to like so much however, is country music.

While my country music education is not as extensive as some, I have found ways to immerse myself in the music outside of only listening to the country music radio station (which is how my taste for it all really started). One way I have done that is by watching the show Nashville. It began as something that linked my mother and I together, while being so far apart. It was something we could do together, without having to physically be together to watch it. But then, I was addicted.

I love the lifestyle in Nashville. I was fascinated by the simple lifestyle, even for the rich and famous. I love the Bluebird and have made it a point to add visiting the musical landmark on my bucket list. I was enthralled by the concept “old money” and the power that it gave its owners. But most of all, I loved the music.

My favorite music is that of the character Deacon Claybourne, more specifically though is the song “A Life That’s Good.”

https://www.youtube.com/watch?v=a8lTNG6E4j8

The song is simple and sweet and while there is a sad undertone, it is still uplifting. This happens to be a recurring theme within the show. Things do not always go as planned, but family, and those that you love, are there through it all. I would say that most fans of the show are held captive by the drama of the show, most of which includes complicated love triangles and broken hearts. But if you can look beyond the glitter, the flashy lights, and the political hierarchy that runs the city of Nashville, what will capture your attention most is the music.

Artists flock to Nashville (in real life as well as the show), each looking for their “big break” and each contributing different necessities to the country music genre. Whether it is song writing, performing, or the few stars that can do it both, every contribution is important but also meaningful. It gives a look in to country music that is deeper than the surface, and in to what it really means. Every song is a story, a story that is told by a person or for a person. I cannot help but hear a country song now (or really any type of song for that matter) and wonder who the person was that wrote it. And what message are they trying to tell me? Thanks to the show Nashville, I have learned a lot about the genre, but also gained much more appreciation for the artists.

The highly anticipated premiere after the holiday TV vacation airs this upcoming Wednesday, February 4th.

Visit the show’s website.

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Filed under Movies and TV, Nashville Sound, Reflection, Reviews

The Evolution of Blake Shelton’s Career

Two Saturdays ago, Blake Shelton was the host and musical guest of Saturday Night Live. He wore wigs, sang songs, and made fun of The Bachelor and himself. It marked, what I believe, to be the completion of the evolution of Blake Shelton’s public persona. And I’m not just talking about the evolution of Shelton’s hairstyles (naturally Buzzfeed is all over that) Obviously, I am not friends with Blake Shelton (or sadly any celebrities) so I can not attest to an actual character evolution, but from my perspective, as a consumer of music and popular culture, Shelton has undergone a lot of change in recent years.

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There’s no question about it, Shelton has been a giant (and I’m not just talking about his height) on the country music scene since his introduction in the early 2000s. He has had hits, massive tours, and got countless award nominations including Male Vocalist of the Year. He’s even married to one of the biggest female country stars of the day, Miranda Lambert. But in 2011, Shelton made an interesting career move. He signed on to be a judge for “The Voice.” And then, at least to me, I actually learned real things about Shelton. His humor about women, alcohol, and making fun of Adam Levine, while maybe not that surprising or out of character, catapulted Shelton into a more prominent place in popular culture. People tune into “The Voice” for a lot of reasons, most likely to watch people sing, but they also tune into to watch Blake Shelton and Adam Levine jab at each other with one-liners what many Americans have dubbed a “bromance.”

Since joining “The Voice”, Shelton has not left country behind. In fact, he is just as country as ever, in his boots and jeans, and spewing words with a “twang.” Hollywood success hasn’t changed Shelton at all. If anything, Shelton has displayed that anyone can make it big in this scene if they are likeable. Shelton certainly is. His staying true to his roots mentality is a perfect encapsulation of what a lot of country music is based on- simplicity and loyalty. Country music is a well-defined clique, with their own award shows and cities that are all theirs. They love their own and love to stay true to those people. Almost as much as they don’t love when people leave them. (Just count how many Miley Cyrus jokes were made at the CMA’s a couple of years ago.) And while Shelton may be on covers of People magazine and giving opening monologues on SNL, he is still, at the core, a country guy, no matter how many twitter followers he now has.

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Filed under Movies and TV, Reflection