by | April 13, 2015 · 8:00 am

Differences in Venues and Concert Experiences

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Dierks Bentley Concert, Houston Rodeo

I recently went to a Dierks Bentley concert at the Houston livestock show and Rodeo in NRG Stadium. IMG_1476I also recently went to an Eric Church concert at the Frank Erwin Center in Austin. While I loved both concerts there was a major difference between the two; the venues they were performed at. The one I enjoyed the most was the Eric Church Concert for one I was a lot closer to the stage than I was at the Rodeo. I also enjoy the Artists performance and the choice in songs. The one thing i disliked most about Dierks Bentley’s Concert was the Distance between the fans and the stage which created this impersonal feeling for me.

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Eric Church Concert, Frank Erwin Center

I have gone to several concerts at the Rodeo I never felt a void between me and the artist while they were performing in concert until I attended the Eric Church concert at the Frank Erwin Center then I began to realize the drastic difference in my experiences between the two concert  in which size does matter. Which it truly did because I wasn’t able to feel the connection with the artist like i did at Eric Church. Something I found interesting was even Dierks Bentley even felt that being so far away was weird. So much so that he walked off the stage and climbed over the Rodeo Fence to get into the crowd to sing and socialize with his fans.

After both experience, I found different views for the Artist and the venues themselves. IMG_1352With Eric Church and the Frank Erwin Center, I was really impressed with how close in contact I was with Eric and I felt connected with the audience in sharing a great memory for the books. When it came to Dierks Bentley, I did not feel the same I felt distracted and didn’t enjoy it as much because I felt to distant from Dierks and the crowd, they never seemed to get into the concert by like singing along with the songs. Even though Dierks tried to achieve that connection with his fans, I believe that the venue didn’t allow  him to do that successfully because the distance was to big to let him reach out and grasp the hands of his fans, like Eric’s concert allowed him to do. In conclusion I think that having small, more intimate setting which allows for a more connected crowd that  interacts with the artist, makes for a better experience for not only the fans but also the artist themselves.

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Filed under Austin, Country Rock, Live Music

by | April 12, 2015 · 8:00 am

I Want a Love like Johnny and June

FullSizeRenderRecently I visited Waterloo Records in Austin where I purchased Johnny Cash’s At Folsom Prison vinyl. For starters if you have never listened to this record it is a must! It was recorded at Folsom Prison so you can hear the prisoner’s reactions to Cash’s songs. It is truly an amazing record. On the back of the record was a copy of a letter Cash had written about prison and his experiences in prison.

This letter peaked my interest as I realized how little I actually knew about Johnny Cash. I love this letter for many reasons but mostly because he shared his experiences in a way that made me see how much he understood these men at Folsom Prison. Having been in prison a few times, he voiced his opinion on the “rehabilitation” of prisoners and their reemergence’s into a society that was to welcome them with open arms. Through this descriptive letter you can almost hear the frustration in Cash’s deep bass voice. It is a moving letter and does its job in exposing some of the flaws of the prison system. Moving away from his bad boy image I want to focus in on my primary interest, Johnny and June.

JohnnyCashJuneCarterCash1969June appears twice in Cash’s At Folsom Prison and wow do they make a great team. From what I have read they had a relationship that was incomparable. It took a couple of times but when Cash proposed in 1968 at a live performance in London, Ontario June finally said yes. She was a great supporting force in his life as she helped him overcome his drug addiction. She was completely devoted to him and he the same. Cash’s letter to her on her birthday is one for the records according to Taste of Country, Rolling Stones, Huffington Post and more.

o-HOUSE-OF-CASH-2-570Can you feel his emotion in this letter? His deep unwavering love for June is heart stopping and admirable. Even after her death Cash was completely devoted to her. In his last public appearance he said, “The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and heaven. She came down for a short visit, I guess, from heaven to visit with me tonight to give me courage and inspiration like she always has.” You can’t tell me that you don’t want a love like Johnny and June’s.

Heidi Newfield’s song “Johnny and June” about sums it up for me. What about you?

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Filed under Country Symbols, Outlaw, Reflection

by | April 11, 2015 · 8:00 am

Darius Don’t Go

This past Monday morning I turned on my TV as an attempt to mentally escape my online government class, and to my surprise I saw Darius Rucker on the screen. He wasn’t on CMT or another program about country music, but he was on ESPN’s Mike and Mike, something I thought was out of the ordinary. I remember seeing Rucker perform at the Houston Livestock Show and Rodeo in high school- and I know his cover of Old Crow Medicine Show’s “Wagon Wheel” was a huge hit- but since then I haven’t heard much about him, which left me to assume his popularity declined. Well, after watching him talk about sports, current events, and his own career, I gained some insight as to why Darius Rucker has been more popular in the media lately.

The following day after appearing on ESPN, Rucker released his fourth country album Southern Style, an album which he was excited to talk about with Mike Golic and Mike Greenberg. From this album, the single “Homegrown Honey” reached number one on the country music charts just last week. Originally, I thought his appearance was for him to self-promote his own album, as well as talking about his recent success, however as the interview went on I realized that this was not the case. The big announcement came when Rucker later stated that sometime in the near future Hootie and the Blowfish will reunite, and, in turn, the discussion of Southern Style faded away. While he admitted it may be a year before the band starts making music again, it seemed that the news of Hootie and the Blowfish’s comeback entirely trumped the release of his new country album and number one single. Hearing this raised the question, is Darius Rucker done with country music?

As much as I want him to continue making country music, it seems that he’s transitioning back to his rock roots. Darius Rucker has been the most prominent African-American figure in country music since Charley Pride, and it’s saddening to see him return back to rock. Although he has not has the success of people like Brad Paisley or Tim McGraw, Rucker has done well in transcending traditional boundaries of what is considered country, expanding the fan base of country music along the way. In a time of racial tension, Darius Rucker has been able to thrive as a black artist in a genre of music that primarily targets a white audience. Some of this success can be directly attributed to his likable personality, seen in his appearance on Mike and Mike. His quick-witted humor, cheerful disposition, and social nature were all exemplified throughout his interview, and I truly believe him going back to Hootie and the Blowfish is a loss for country music. Who knows, maybe with his recent success of Southern Style Rucker might change his mind about the move back to rock. I like Darius Rucker as a person and as an artist, so wherever he winds up I hope he does well. With that being said, I have my fingers crossed he doesn’t stop with country music altogether, as I think he has a potentially long career ahead of him.

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Filed under Uncategorized

by | April 10, 2015 · 8:00 am

Discovering Texas Country’s Roots

Screen Shot 2015-04-05 at 4.53.34 PMWhen it came time to head home to Dallas for the Easter weekend, I made the easy decision to take scenic Highway 281 instead of dreaded I-35. For me, trading in concrete and construction for bluebonnets and an open road was a no-brainer, even if it meant adding thirty minutes to my drive.

As I drove through the hill country, the images of so many of my favorite “Texas Country” songs filled the windshield: ranches, back roads, and a Texas-sized sunset. Seeing all of this made me wonder if any of the great Texas artists got their start along this stretch of highway, or if they just used the popular hill country scenery as inspiration for their songs.

Once I got home, I researched each town along the route, including those on connecting Highway 67, to see if any notable country music stars had their roots planted there. After striking out in Lampasas, Hamilton, Glen Rose, and other towns along the way, I was pleasantly surprised to discover that one of my favorite country artists was born and raised in Cleburne, TX. Randy Rogers, lead vocalist and namesake for the Randy Rogers Band, built his musical foundation in the town of about 20,000 people.

Even though the Randy Rogers Band has been a favorite of mine for a few years now, I knew little about the background of the band and how their life stories helped develop the songs they sang. Growing up, Rogers said he took the country music direction simply because the lyrics he wrote and the twang in his voice fit best in the genre. Combined with his guitar playing, which he started at the age of 11 or 12, Randy Rogers and his music encompass the true definition of Texas Country.

While a lot of artists claim to be Texas country, Rogers’ small town Texas roots give him the authenticity to back up his claim. In a 2010 interview, he touched on some of the topics that are most debated in this class, especially the tension between Nashville and Texas Country. In this interview, I believe Rogers explains the divide clearer than anyone else I have heard. While he argues that Texans are proud and admittedly cocky, he says this really does not factor into the standoff with Nashville. And while Texas country bands might tour more days out of the year than those from Nashville, he says this does not affect the divide too much either. According to Rogers, people make blind generalizations that blow the split out of proportion and stray from the truth.

While many artists that associate themselves with the Texas Country movement might have similarities including lyrical topics, instrumental accompaniments, or even merely large levels of Texas pride, Rogers argues that for these similarities, there are just as many differences. He believes that there is great and equally as varying music coming from Texas and Nashville. Some artists in Texas are adopting more of a Nashville feel and vice versa. For Rogers, he is proud to be a Texan for whatever people decide that means. In addition, this simple feature of variety within the genre is why he believes country music is so great. According to him, country music has always rocked from its balancing point thanks to people that push the boundary, but somehow it always finds its way back onto it’s path.

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Filed under New Country, Texas

by | April 9, 2015 · 8:00 am

A George Song for Everyone

While I was home for Easter, we ate at one of my all time favorite restaurants – Babe’s Chicken Dinner. Who doesn’t love good fried chicken? Babe’s entertained diners with classic George Strait songs, which started a lively discussion about my family’s favorites.

“The Chair”

“The Chair” is my mom’s favorite George Strait song and is the first Strait song she remembers hearing. The song eavesdrops on a conversation between two strangers. The man approaches the woman and tells her “I think you’ve got my chair.” The song progresses along with their conversation. At the end, the man throws listeners for a loop, confessing “that wasn’t my chair after all.” My mom enjoys how “The Chair” plays with the conventions of conversation.

“Marina Del Rey”

https://www.youtube.com/watch?v=MTHztKRHfVQ

Apparently, George Strait makes a great first impression because my dad’s favorite song is “Marina Del Rey,” the first song he heard on his first George Strait CD. This song about a vacation love affair ends with the couple’s goodbye. My dad says this song is timeless, catchy and “vintage George Strait.” Critics say that Strait didn’t have the vocals to pull off the performance, but after watching his performance from The Cowboy Rides Away Tour, it is obvious his vocals are well suited for the song.

“Amarillo by Morning”

My grandma was born in Amarillo, Texas, so she feels a personal connection to “Amarillo By Morning”. It reminds her of driving to Colorado and stopping in Amarillo, the halfway point. Terry Strafford originally recorded “Amarillo By Morning” and George Strait covered it in 1982. “Amarillo By Morning” is very recognizable as George Strait’s because he paints a picture with the lyrics and instrumentals.

“You Look So Good in Love” 

“You Look So Good in Love” is my favorite Strait song. It is a unique break-up song. The narrator watches his ex-lover fall in love with someone else. However, instead of wanting to steal her back he realizes that he is not the guy to make her happy. He knows they weren’t meant to be. The sappy side of me loves that he lets his ex-lover have her happiness. The musical side of me recognizes that this is a very well written, catchy song.

There is no denying that the “King of Country Music” will forever be legendary. The ability of country music fans to immediately name a favorite George Strait song reflects the personal nature of his songs and his status as “King of Country Music.” Strait is a symbol of talent and consistency, a symbol that has propelled to the top. However, now that he is not touring and is taking a lower profile, new fans might not discover their favorite George Strait song – and they’ll be missing out.

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Filed under Country Symbols, Lists, Live Music, Music Videos, New Traditionalism, Reflection, Texas