Over Easter weekend, my brother and I randomly got the urge to drive around the great town of San Antonio. We rode around in my new black Mazda CX-5 with Conway Twitty’s Pandora radio blasting. Somehow we ended up at La Cantera mall, which is right by Fiesta Texas Six Flags. While walking around, the two of us wandered into Urban Outfitters and decided we could not leave without a record player and vinyl record. Fortunately, we headed back home happily with a portable turntable in one hand, and Willie Nelson’s 1981 Somewhere Over The Rainbow album in the other.
This vintage album features 1940’s pop standards arranged by Nelson. The album’s acoustic jazz instrumentation was also meant to play tribute to one of his heroes, Belgian gypsy jazz guitar virtuoso Django Reinhardt, who influenced Nelson’s playing. This could be a possible reason why some vocals were also performed by Freddie Powers. The album includes the tracks of:
- Mona Lisa
- Exactly Like You
- Who’s Sorry Now?
- I’m Confessin’ (That I Love You)
- Won’t You Ride In My Little Red Wagon
- Over The Rainbow
- My Mother’s Eye
- I’m Gonna Sit Right Down And Write Myself A Letter
- It Wouldn’t Be The Same (Without You)
- Twinkle, Twinkle Little Star
If you have not been lucky enough to listen to at least one of these songs I highly recommend you do, my personal favorite would be “Mona Lisa.” This album does not seem to resemble any of Willie’s outlaw music he is so popular for today. It is a slower and more relaxed type of instruments and vocals. This is an album you play in the background while having guests over, it is a simple sound. Which was the same type of feeling I got when I visited his statue.
https://www.youtube.com/watch?v=ZvjqMt2nwno
For our Country Experience Reflection project I knew I had to go see this infamous statue, and after owning a vinyl record of his I thought it was the perfect time. On the drive over to Willie I was expecting this statue to be huge and extravagant. I expected a lot of color and maybe some of his music playing. However, when I got there I walked right past it. I did not even notice his statue. It was very simple and made me think of his album I just bought. The statue was of Willie sitting down holding his guitar, of course he was sporting his famous braids and bandana. There were not any splashes of color or music around him. He was just a statue at the corner of busy roads.
This begged me to question if I really understood Willie Nelson at all. I always thought of him as this outlaw that was loud and “in-your-face.” Now I see him as this laid back and “go-with-the-flow” type of guy. Maybe this is what makes him an outlaw in some ways. Country music seems to be all about the bling and Nashville commercialization, however Willie does not convey that. Is this why Willie is so popular? If you have visited the statue, did you feel the same simple atmosphere?
For another blogger’s experience visiting Willie Nelson’s statue, make sure to check out Abby Shamis’s post.
I also recently went to an Eric Church concert at the Frank Erwin Center in Austin. While I loved both concerts there was a major difference between the two; the venues they were performed at. The one I enjoyed the most was the Eric Church Concert for one I was a lot closer to the stage than I was at the Rodeo. I also enjoy the Artists performance and the choice in songs. The one thing i disliked most about Dierks Bentley’s Concert was the Distance between the fans and the stage which created this impersonal feeling for me.
Every March, my fraternity puts on our “Ranch” party. Good friends, crawfish, and most importantly live country music highlight the event. While past years have boasted big name artists such as Pat Green, I was ecstatic when I heard this year’s party would be featuring one of my favorite country artists, Turnpike Troubadours. While they are still a relatively small group, they have gained momentum in the last several years, even playing the ACL Music Festival this past October. Regardless of this being the third time I would be seeing them perform in the last year, I was still looking forward to the concert.
The openers, Drive-By Truckers, were a rocky start. The guitar drowned out the vocalist to the point that I really didn’t understand what he was saying the entire time. Their stage presence was so-so; they seemed more involved with what was happening on stage and not the audience, at some points completely turning away from the audience. Watching from high above (in a seat where even the jumbo viewing screens were blocked), it was obvious that the crowd was not feeling them either. The general admission floor was practically at a complete stand still. Because I am more attuned to really active floor audiences that come with other genres of music, this was really surprising, but as it continued, it became more and more obvious that it wasn’t just because this was a country music concert. Continuing to scan the audience, I noticed that nearly everyone around me had their phone out and was scrolling through Facebook and Twitter feeds. If people don’t even want to put their phone down to listen to you, you are doing something wrong! When a high pitched squeal rang out in the Frank Erwin Center, a guy behind me summed up there entire performance perfectly, “That was the best thing I have heard all night!”.
Now don’t get me wrong; Eric Church was phenomenal! His stage presence and audience interaction was incredible; from playing fan favorites to telling stories to signing boots that were thrown on stage, Eric did it all and gave us more than we could have ever imagined for a Wednesday night concert. No matter how fantastic an artist’s performance is, a concert experience can be hindered by anything from openers to the people around you. With this in mind, in the future, I would like to ward you against intertwining the two. Eric Church was awesome! My experiences at the concert were not quite as good, but that does not mean I think poorly of the artist.