Category Archives: Texas

Crawfish and Country Music

Thanks to cold temperatures, rain, and “ice”, the last few weeks in Austin have felt more like Seattle than Texas. Because of this, the 60-degree forecast full of sun and devoid of precipitation for this past Saturday had me excited. While the weather alone could have brightened my mood, my enthusiasm was heightened because Mother Nature was cooperating for my favorite party of the year.

turnpike-truEvery March, my fraternity puts on our “Ranch” party. Good friends, crawfish, and most importantly live country music highlight the event. While past years have boasted big name artists such as Pat Green, I was ecstatic when I heard this year’s party would be featuring one of my favorite country artists, Turnpike Troubadours. While they are still a relatively small group, they have gained momentum in the last several years, even playing the ACL Music Festival this past October. Regardless of this being the third time I would be seeing them perform in the last year, I was still looking forward to the concert.

As people flocked to the crawfish tables, Shane Smith & the Saints took the stage as the warm-up act. Although I was not familiar with their music, I was quickly impressed by their sound. Lead vocalist Shane Smith had a great voice and was accompanied by a classic Texas country sound featuring a fiddle, guitar, drums, and bass. The band recently released their first album, a feat that was over two years in the making. The album, Coast, reflects the relationships and memories made while on the road in the years leading up to the release. They have a great sound and the album is definitely worth checking out.

While I was impressed with Shane Smith & the Saints, Turnpike Troubadours finally took the stage and stole the show like they have done every time I have seen them perform. All hailing from southeastern Oklahoma, the members of Turnpike Troubadours clearly enjoy performing. Lead vocalist Evan Felker truly knows how to take over a stage and engage an audience. He writes almost all of their songs and his passion is clearly evident when he performs. Aside from turning the microphone to the crowd or joking around with other band members on stage, they sounded just like they do in recordings and delivered a great show.

FullSizeRender (1)I chose their most recent album Goodbye Normal Street as my album to analyze for the current class project. My research really allowed me to see their performance in a new light compared to past shows. While songs like “Good Lord Lorrie” and “Gin, Smoke, Lies” have been some of my favorites since they were released in 2012, my research allowed me to listen to them differently this time. For example, I read in an interview with Felker that he writes almost all of his songs about authentic life experiences and real people that have crossed his path. Knowing that Lorrie is a real person with a real story helps explain the passion Felker sings with when performing the song.

Whether at historic Gruene Hall singing on the same stage as many of country music’s biggest names, at Zilker Park for ACL, or in the front yard of a college party, every time I have heard Turnpike Troubadours perform they have delivered the same genuine and authentic performance. They are bonded by their rural roots and sincerely enjoy performing their life experiences to a crowd, regardless of who it might be.

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Filed under Americana, Austin, Live Music, Texas

Country Radio Needs to Change

Gary Overton, Sony CEO

Gary Overton, Sony CEO

As I worked on my album analysis for Aaron Watson’s album The Underdog, which grabbed the No. 1 spot on the US Country Billboard Chart, I came across an interesting article, “Sony Nashville CEO talks importance of country radio.” Gary Overton, Sony CEO, said in the interview that he can be quoted several times a day saying, “If you’re not on country radio, you don’t exist.” This statement angered many people including independent country fans and artists. Many independent artists have much support from fans, but find themselves ignored by mainstream country radio.

Country radio is not capable of embracing individual country artists. Individual country artists are unique and have an authenticity that cannot be found with the current mainstream artists. I can tell that country fans want something different and country radio should adapt – playing both mainstream and independent artists.

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Aaron Watson’s No. 1 Album, “The Underdog”

Aaron Watson is an independent Texas Country artist who has been in the industry for 15 years, has produced 12 albums and performed over 2,000 shows. However, he has been rejected by mainstream radio despite having the No. 1 US Billboard Country album. His response to Overton’s comment was, “My name is Aaron Watson. I am not played on country radio. And I have the #1 record in country music this week. I do exist.”

Charlie Robinson, a Nashville artist turned independent, also offered his opinion on the matter, stating “I have a job today but as soon as Florida Georgia Line goes out of style, and believe me they will, you [Gary Overton] will not exist.” Of course, Florida Georgia Line felt compelled to comment on Twitter that they have lost all respect for Charlie Robinson.

Many factors contribute to the success of artists, but radio play is not the most important. In fact, Overton’s own artist Garth Brooks had to deal with the issue of mainstream radio when they rejected his comeback single “People Loving People” and its follow up “Mom.” However, due to his loyal fan base, Garth Brooks has experienced no difficulty in selling out shows. Dedication and perseverance are two important qualities that country fans look for in artists. Independent artists certainly contain those characteristics.

There is no denying that radio play contributes to the commercial success of an artist, but it doesn’t determine whether they exist or their level of talent. I’m sure that many independent artists would benefit greatly if the mainstream radio stations accepted them. However, I don’t base an artist’s success or talent on how much airplay they get. I base it on the music and what I think about their songs after they end.

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Filed under News, Reflection, Texas

Texas is Everywhere

Personally, my favorite (unofficial) subgenre of country music would have to be Texas Country. From Pat Green to Aaron Watson to Robert Earl Keen, I love the sounds and music of country artists that are authentic to the Lone Star State. Historically, I have always thought that the only place Texas Country is listened to and/or has an influence on people is in Texas. That seems like a pretty logical assumption, however, a recent trip I went on changed my beliefs.

I went skiing in Vail, Colorado with a group of my friends several weeks ago, and it was at the base of the mountain that I saw how Texas Country is not just popular in Texas, but has transcended state boundaries. As I’ve gotten older I have progressed more towards what is known as a half-day skier, spending my mornings on the slopes and my afternoons walking around the town. On one of the last days of our trip, my friend Forrest and I decided to head into town a little earlier than the rest of our group. We chose to go kill some time at Pepi’s, probably the most famous restaurant and bar of Vail Village, waiting for the rest of our friends to come off of the mountain. As we walked into Pepi’s, Garth Brooks’ “Friends in Low Places” was being played by the bar-band, and I immediately knew it was going to be an enjoyable atmosphere. After about 10- 15 minutes of playing country music classics, the band took an unexpected turn. The lead singer got up off of his stool and asked, “There any Texas boys here today?” Immediately, Forrest and I made some noise and he flashed us a Hook’Em. The band would go onto play Texas Country for the remainder of their act, including an incredible rendition of Ryan Bingham’s “Southside of Heaven”. Other artists they covered were Pat Green, Aaron Watson, Willie Nelson and Cory Morrow- all artists I had thought (with the exception of Willie) were only listened to in Texas.

Following the band’s performance, Forrest and I went over to talk to them about their great taste in music. The lead singer told us that while he has never lived in Texas, he has always enjoyed Texas Country, and that Robert Earl Keen was his biggest musical influence. What surprised me even further is hearing how much various assortments of people, from all over the world, are into Texas Country. There were several people at a table near ours from South America, and following the band’s gig they asked us the names of Pat Green songs to find on Spotify. Essentially, it was neat to see how other people from different backgrounds and cultures enjoy the music of Texas. Also, it was fun to be able to travel to Colorado, yet still enjoy music that reminded me of home. While “Texas Country” may or may not be an official subgenre of country music, I believe that in several years, with its continual growth, it will constitute a popular stream of country music inside and outside of the state of Texas.

https://www.youtube.com/watch?v=oMjWV2lqlqQ

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Filed under Live Music, Texas

Keeping Traditional Country Music Alive

This weekend I was able to go home to San Angelo with some friends and visit for a couple days, which is always refreshing and serves as a way to get away from school for a little bit. It was the last weekend of the San Angelo Stock Show and Rodeo, and we didn’t want to miss out on all the fun.

CaseUnfortunately, since tickets sell out several weeks in advance, I wasn’t able to attend the actual rodeo performance. As disappointing as that was, at least I was still able to take part in something rodeo-related. One of my best friends, Case Hardin, started a country music band after we graduated high school, and since then he has made a name for himself, playing shows at dance halls all over the state. The past two years he has played shows during rodeo season in what is collectively known as “the beer barn”. Located directly next to the coliseum where the rodeo is held, the beer barn is where people go to, well, drink beer before and after the rodeo. It’s a non-insulated wooden building, includes a stage and a dance floor, and it has no seats or tables. Instead, everyone packs in as tightly as possible and those remaining gather outside.

While it may sound like an unpleasant place, what makes it awesome is the music. What is usually a run-of-the-mill shack basically in the middle of nowhere comes to life as an authentic dance hall. Case played for three hours to an audience of hundreds of rodeo-goers, and the dance floor was filled during every song. Case, a bona fide fan of traditional/neotraditional country music, performed covers of singers like George Strait, Tracy Byrd, and Conway Twitty, and he mixed in some western swing with songs from Bob Wills. Backed by his band, which simply includes a guitar, bass guitar, steel guitar, and drums, Case keeps the spirit of traditional country music alive with his twang and his salutes to legends past. I knew when I saw him sing George Strait’s “Heartland” in the 4th grade talent show that Case was destined to be a country music performer. Case’s next show is March 14th at the London Dance Hall in London, Texas, which is considered to be the oldest dance hall in Texas. It’s awesome to see one of my good friends experience some success, and it was great to be able to catch one of his shows.

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Filed under Dancing, Honky Tonk, Live Music, New Traditionalism, Texas, Western Swing

Two Steppin’

This past weekend I had the chance to visit Austin’s very own Midnight Rodeo. Not sticking to only traditional country music, Midnight Rodeo would switch up their two stepping to the wobble. While it was predominately country music so that I could practice my two stepping skills, I was able to take a break and get out on the dance floor with my gals and drop it like its hot because boy was it hot in there.

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I got the privilege to go with a large group of my gal pals, which supported the old saying “the more the merrier.” While as a group we had the most fun at the breaks when songs like “Uptown Funk” came on, individually we enjoyed the country songs better because, honestly, where else can you find that kind of entertainment? Either grabbing a free guy or one of our friends we danced in circles around the dance floor to every country song that played. Being such a social event, country dancing is hard not to enjoy even if you are sitting that song out and just watching.

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Now please don’t think that because we all own a pair of cowboy boots and live in Texas we are automatically great country dancers. My group and the dance floor ranged from first time dancers that had never laid a foot in a dance hall to pros who incorporated flips into their two-step. It truly was amazing to watch the expert dancers who made it look effortless. I fell right in the middle of those two being able to do the steps and a couple simple turns. I think we all enjoyed ourselves just the same no matter the skill level we were at. You could feel the energy and heat coming off of the dance floor from the people that were there to have a good time.

Now I challenge you to go and try it! This tutorial, excuse the woman’s outfit, shows you the very simple basics of two stepping. However, I believe getting out there and doing it is the best way to learn! Starting with a slower paced song will help you get your footing and eventually you will be able to keep up with a faster paced beat!

Tim McGraw’s “Just to See You Smile” is one of my favorite two stepping songs that you can try out at home with your cat, dog, cow or what ever else you have running around the house. I hope you try out you closest country dance hall and enjoy the experience as much as I did!

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Filed under Austin, Dancing, Texas