Yearly Archives: 2014

Garth Against the Machine

garth brooks black hat reuters
From a young age I listened to Garth Brooks around the house. My mother is a huge fan of Garth Brooks. My mother was actually in the Primetime documentary about Garth Brooks in the front of the crowd at one of his concerts in July of 1992 in what used to be called the Coors Amphitheater in Southern California. She was at the concert with a big group of friends and just happened to be filmed. This is her claim to fame and I will never forget this story.

Unknown-1This is why I took great joy in informing my mother that after 13 years of retirement Garth Brooks is making a comeback with his new album called Man Against Machine under the label RCA Nashville. This album will be quite different than most of the music circulating around other male Country Music singers. Brooks looks past partying and rural life to music that better speaks to the common man. In his album Brooks is representing the middle class that works day in and day out without time for excessive partying and celebration. I am very interested in seeing how listeners will react to this divergent theme. This album shows influence from Jason Aldean and Eric Church with its heavy guitars and dark-hued themes. He doesn’t include auto-tuned vocals, rhythm loops or rapping unlike most modern male country stars. His tracks are weighty and wordy, just like his previous albums “Scarecrow” and “In the Life of Chris Gaines” left off.

Due to this type of construction of the album I get a new traditionalist subgenre vibe from Brooks new album. He reals country music back in to a more traditional standpoint unlike the modern country music that is currently popular. Although his album strays from the current modern country themes produced by male country stars, in my opinion, his desire to address life’s important themes should be more successful than the more superficial themes currently popular in Country music. The themes in Man Against Machiene, show that Garth still nods to his Oklahoma roots, patriotism, parenthood, and there are trademark dashes of feistiness. Mostly, though, there are well-constructed songs with catchy melodies and a sturdy voice that show that a decade of rest has served Brooks well. This album brings together a new and old Garth Brooks. I urge all of you to check the new album out, and hopefully you will connect to it and enjoy it as much as I did.

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Filed under New Country, News

#bradblewit

Everyone who tuned into the Country Music Awards last Wednesday night was the first to learn what the sex of Carrie Underwood’s baby is. Brad Paisley and Carrie Underwood kept the crowd rumbling with laughter as they hosted their 7th straight CMA awards.

Screen Shot 2014-11-11 at 11.33.20 AMThe roast-like jokes started as they came out on the stage to introduce the show. They started with a song they wrote in honor of George Strait and his “Cowboy Rides Away” tour. They then presumed to make fun of Strait when Paisley said, “usually when a cowboy rides away, he goes somewhere.” Then after a couple different jokes made towards Blake Shelton, Taylor Swift and democrats it was time set the stage for the baby sex reveal. The picture shown was Underwood’s immediate reaction after #bradblewit.

Brad started by making the comment “We’re pregnant!” (Which by the way, OMG she is a beautiful pregnant lady!) Then from there Underwood starts making comments asking why he said “we”. And from there Paisley is persistent that he will always be a part of the baby’s life and Underwood can’t keep the baby from him! From there he starts to beg Underwood to tell him what the sex of the baby is and finally she lets in and whispers in his ear what it is. He turns to the audience then and says “I’m so happy, I know something ya’ll don’t know; Suck it TMZ!”

Then a couple minutes later as they’re starting to introduce Garth Brooks’s return to the CMA stage, Paisley lets the cat out of the bag (or better yet, the bun out of the oven). Carrie starts by asking, “Do you think he’ll sign my baby?” And then Paisley replies by announcing,

“Hey, we could name him Garth!”

In which then Underwood acts like she’s angry at Paisley for the public revelation but it’s all apart of the show. The crowd then realizes what just happened and they all start cheering and smiling in happiness for Underwood’s joy.

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Paisley’s Tweet after he revealed the sex

Let me be the first to say, it’s been a beautiful thing to watch Carrie Underwood’s whole celebrity life play out in front of our eyes. We fell in love with her on American Idol and we’ve followed her journey ever since and I believe I speak for the majority when I say we are overjoyed to see her finally play the role as a mother. Congrats to Mr. and Mrs. Fisher!!

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Filed under Awards, Movies and TV, New Country

Couldn’t Miss the Dance

A while back, MaKayla posted about Scotty McCreery’s charitable contributions. Since that post received a lot of love from y’all, I thought I would share this story about Garth Brooks stopping a concert to recognize a fan who is undergoing treatment for cancer. Also, incredibly, he gave her his guitar. Here’s the video:

I ran across this news this morning on my bus ride to campus and, I’ll be honest, I teared up a bit. Fortunately, I don’t think any of the other passengers noticed. It has to be one of the hardest and most rewarding parts of being a celebrity, this being called on to help people who are hurting or dying. Props to Brooks, though.

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Filed under Charity, Live Music, New Country, Reflection

This is What Country Looks Like

Now I find it difficult to think of country music without thinking of cowboy boots. This type of footwear has become a fashion staple among country stars for decades now, and both male and female stars have been known to rock them on stage and on the red carpet. Originally designed in the 19th century for cowboys riding horses and working with cattle, these bad boys were meant for a true man’s day of work, not just tuning in to a Miranda Lambert record. So now I ask, since when did wearing cowboy boots automatically mean you must love country music? Do fashion items and music truly go hand-in-hand?

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Cowboy boots are an iconic representation of the American spirit. The legacy of this instantly recognizable footwear takes us back to the days that the original cowboys rode across the open fields, running wild and free.

When people used to talk about cowboy boots, cowboy boots were associated with either labor in the field, or riding horses. Cowboy boots used to refer to a specific style of riding boots, with a Cuban heel, high shaft, and without lacing. The boots are normally rounded to pointed toe, and made out of cow leather, but now that they have become a fashion statement, they are made from skins such as alligator, snake, elephant, buffalo and so forth. There are two known and basic styles of cowboy boots, the Western, (known as the classic) and the Roper. The classic style is distinguished by a tall boot shaft, going to at least mid-calf, with an angled “cowboy” heel, usually over one inch high. Although western boots can be customized with a wide variety of toe shapes, the classic design is a narrowed, usually pointed, toe. A newer design, the “roper” style, has a short boot shaft that stops above the ankle but before the middle of the calf, with a very low and squared-off “roper” heel, shaped to the sole of the boot, usually less than one inch high.

Taylor rocking her boots!

Taylor rocking her boots!

Now when people talk about cowboy boots, it is almost always associated with country music. I never understood why. How did this connection happen? Some say that it started with Western dancing. In the 1900’s, men, women and children wore country boots during the day for either working in the field or for riding, and they would come at night ready to dance the Western/Country dances. The Country/Western dances were to country music, therefore the singers who sang for people to dance to, also had their boots on. Country/ Western dancing was meant to be informal, and cowboy boots allow the steps to come out more smoothly and easier to dance, without having to actually lift feet off the ground. Starting from there, country singers sang and performed wearing country boots, not just for dancing, but in general. Apparently, some of the first country records were recorded with artists wearing cowboy boots!

I mean, I get it. Cowboy boots are pretty versatile since that they can be paired with many outfits, from jeans and a T-shirt to fancier evening wears. For example, Taylor glams up a casual white dress with a pair of heart-shaped detailed cowboy boots. I guess now, it doesn’t matter whether you prefer the classic rounded tow, or the newer pointed- toe boot, there is a pair of cowboy boots out there for everyone. I think that the cowboy boot is a smart wardrobe investment, being a timeless piece that wont go out of style!

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Filed under Reflection, Texas

Angaleena Presley Goes Out On Her Own

Angaleena 2Angaleena Presley, a member of the Pistol Annies, recently released a solo album called American Middle Class. In it she establishes herself as an alt country force with smart honest lyrics, and a wide array of musical influences. Her slightly husky voice is at times haunting, and then blunt, confronting life’s tragedies and disappointments without pretense. Each track leaves the listener with the sense that Presley has seen her fair share of hard living, and she wants the rest of America to see it too.

The first song, “Ain’t no Man,” sets the tone for the album, immediately laying on Americana guitar and introducing the electric organ. She uses a series of vivid metaphors to describe a woman who has closed herself off from love. For example she sings, “Sturdy as a trailer in a hurricane, sweet as the smell of turpentine,” and, “mean as a snake in a small town zoo, ain’t nobody who could ever get to her hear.” Ignoring the traditional verse chorus form popular on the radio today in favor of uninterrupted narratives, its clear Presley is a different kind of country artist.\

It’s easy to pick out the gospel and blue grass influences throughout the album, both in instrumentals and the imagery of her lyrics. The steel guitar and banjo can be heard throughout the album alongside acoustic and electric guitars. She also sings about church, the devil, and sin in a way that places those things as symbols of the culture she is representing.

AngaleenaPresley also tackles the problems small middle class communities are facing that are often ignored or pushed under the rug. In “Pain Pills,” and “Dry County Blues,” she confronts boredom as a disease that people are self-treating with alcohol and drugs, and the damage that creates in the community. She subtly draws attention to the fact that much of this is due to the economy, and the loss of middle class jobs, “half the county’s laid off, laid up, or getting high.”

In my opinion, Presley really shines in her ability to root the album in a physical place and time. “All I Ever Wanted” ends with a recording of a drug addicted neighbor reciting scripture, and the title track, “American Middle Class,” features her father, a Kentucky coal miner, talking in an actual mine where he works. Though Presley is not shy about bringing up sensitive issues, she maintains a respect for the people and place she is singing about. She comes across more as if she is sympathizing rather than condemning.

I truly enjoyed American Middle Class and its more traditional country sound. It’s not an album you put on for background noise, but something you really listen to and reflect on. It’s not all serious though. “Knocked up,” and “Drunk,” provide some offbeat humor to contrast with some of the other tracks. Angaleena Presley’s style is somewhat like Kasey Musgraves, so if you like her, and even if you don’t, I highly recommend you give this album a listen.

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Filed under Americana, Reviews