Category Archives: Classic Country

by | March 25, 2015 · 8:00 am

The Good Kind of Country Music

A couple of weekends ago, a handful of my friends and myself packed up a change of clothes, jumped in the car, and made our way to College Station. We were making our way to hang out with a couple of our sorority sisters as well as attend the probate of the brothers of Lambda Theta Phi Latin Fraternity, Inc. I was excited to be taking a mini-road trip to escape the stress of school for the weekend and to clear my mind with a nice drive down some country roads.

Since I was the one who would be driving, that meant that I also had control of the radio. Because I knew that my sisters are not big fans of country music, I took this into consideration and kindly turned the dial to a pop station. We got a good thirty minutes of Adam Levine, Taylor Swift, and Iggy before I had to find another station. Unfortunately (for them), shortly after we passed the Austin city line and made our way further into the country we began to lose signal of the pop station and I was forced to turn to a different station.

After browsing through the stations for quite some time, I finally came across a radio station that caught my attention. “Young,” by Kenney Chesney was playing. When I heard this song I initially had passed the station up but as I realized what song it was that was playing, I quickly returned to the station. It reminded me of intermediate school; eighth grade to be exact. It brought back memories of the group of friends I had in intermediate school, the little rebellious phase we went through, and how we would be going our different ways in high school. This type of country music reminded me of my time as a child, growing up listening to country music on trips to Corpus Christi with my parents and siblings.

Next came some good ole George Strait, Reba, and Garth Brooks. I had missed this kind of country music being played on the radio; today’s country music radio consists of artists like Florida Georgia Line, Luke Bryan, Lady Antebellum, and Sam Hunt (who I personally wouldn’t even consider country). I couldn’t really remember the last time I had listened to country music on the radio and actually enjoyed it. It wasn’t really until I spent an entire two hours listening to the country artists that I grew up listening to that I realized there was something wrong with today’s country radio. Today’s country music radio stations should follow the lead of this “Classic Country” radio station and I just might start listening to country music on the radio again.

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Filed under Classic Country, New Traditionalism

by | March 3, 2015 · 8:00 am

“He Stopped Loving Her Today”: A Comparison

As I scrolled through Facebook the other day and just as my roommate was talking about auditioning for The Voice, I came across a video from NBC’s The Voice. I used to watch The Voice when it first aired, but due to a lack of time I stopped watching it. Anyway, sometimes a video will pop up on my newsfeed, and when that happens I check it out. They have to be a pretty good singer, right? Well, Cody Wickline certainly was. Cody sang the great George Jones classic “He Stopped Loving Her Today”, most likely trying to appeal to Blake. Donning a black cowboy hat and an acoustic guitar, it didn’t take long for one of the judges, Adam Levine, to turn around. However, eventually all judges turned their chairs after realizing how much talent Wickline has. Even though Christina, Pharell, and Adam made their plea for Wickline to join their team, he ultimately chose to stick with country and be a part of Team Blake.

After listening to Cody Wickline’s version of the hit song, I had to listen to the original. You can’t help but notice how similar Wickline’s sound is to the original. Wickline has a slightly smoother sound, in my opinion which could be just the audio quality, but there is something to be said about George Jones’s ability to have so many number one hits without the use of autotune technology. In both versions, you can definitely feel the emotion behind the lyrics; there is a sense that Wickline has a connection to the original song either through experience or just by listening to it as a kid. It is such a simple song that really focuses on the voice and lyrics rather than having heavy instrumentals. That is part of the reason this song was a good choice for Wickline to perform in the blind auditions. Country is a strength for Wickline, so it will be interesting to watch as the season progresses if and how he will adapt to various songs in different genres.

Just to bring in one more artist to compare, I also listened to Alan Jackson perform the song at the Grand Ole Opry in May 2013 to memorialize George Jones seeing as he had recently passed away. Alan Jackson definitely sticks to the classic sound and simple performance style of the song and performs it beautifully. Listening to all three versions, I came to the conclusion that unless you are just a bad singer you can’t really mess up this song. Its simple instrumentals, deep lyrics, and popularity in the country music genre makes it a great song to give tribute to the classic country subgenre and George Jones.

What is your favorite version of “He Stopped Living Her Today”? Do you watch The Voice? Do you think Cody Wickline will make it far in the show? Leave your thoughts in the comments below.

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Filed under Classic Country, Movies and TV, Reviews, Song Analysis

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by | February 2, 2015 · 1:30 pm

The Roots of Ernest Tubb

As I was reading Christine Warren’s Honky Tonk Debutante, I made a mental note at her mention of Ernest Tubb, the man credited with starting honky-tonk music. Tubb, nicknamed “The Texas Troubadour”, had an incredible influence on the sound of traditional country music, and as Warren stated, his hit song “Walking the Floor Over You” was the first honky-tonk hit and started the golden era of honky-tonk music. While Ernest Tubb is an important figure for every country music fan, he is especially notable for me. Before Tubb gained worldwide fame and recognition, he got his start in my hometown, good old San Angelo, Texas.

For those of you who haven’t heard of San Angelo, it is located right smack dab in the middle of Texas, far isolated from any interstates or big cities. It never rains (at one point last year we had just 15 months left in our water supply), and there really isn’t anything to do for entertainment. It’s a typical West Texas oil town.

One thing there is to do in San Angelo is see live music. Texas Country artists like Aaron Watson and Kyle Park are always playing at Midnight Rodeo, and local singers play at bars around town. Famous artists like George Strait and Lee Ann Rimes used to play at the San Angelo Rodeo before they made it big, so there is also lots of history in the city’s music scene.

San Angelo country singer Case Hardin

But as I mentioned above, San Angelo’s real claim to fame is the place that gave Ernest Tubb his start. Tubb moved to San Angelo from San Antonio in 1939, and was given a daily radio show on a local station, where he was paid $2.50 a day. The wage for the radio show wasn’t enough to support his family, so he also drove a beer delivery truck for $2 a day, plus 8 cents for each beer sold. In addition to his two jobs, he was known to set up on the street corner to play his guitar and sing for passersby. Tubb liked San Angelo so much that he wrote the song “Beautiful San Angelo”. Just four years after moving to San Angelo, Tubb was a member of the Grand Ole Opry and in the middle of a career which saw him collaborate with singers like Loretta Lynn, and even garnered him a star on the Hollywood Walk of Fame. Tubb was instrumental in the sound of honky-tonk music, and none of it would have been possible without his short time in San Angelo.

Ernest Tubb’s star on the Hollywood Walk of Fame

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Filed under Classic Country, Honky Tonk, Live Music, Reflection, Texas, Uncategorized

by | January 29, 2015 · 12:00 pm

The Demise of Country Music

I stopped listening to country music on the radio a few years ago, right as “bro country” was beginning to become mainstream. I wouldn’t be able to tell you any of the new songs or new artists, but every time I happen to come across a country radio station it always seems to be the same thing: dudes like Florida Georgia Line bro-ing it up and singing songs about their trucks or how country they are. I know that doesn’t describe all country music on the radio these days, but it’s apparent that bro country is what the industry thinks will sell the best. Maybe it’s just my West Texas roots, but to me that isn’t even close to what country music is supposed to be.

Yesterday as I was scrolling through Facebook, through the dozens of stories and articles being “shared” by my friends, I saw one video that really caught my eye and seemed to prove my belief today’s country music. If you haven’t already seen the video I encourage you to watch. It’s kind of eye-opening about the state of country music today.

Pretty crazy, right? That seems like pretty solid proof that Nashville is just pumping out the same song with different words, and people are buying it. That video reminded me of a different video that came out at the end of 2013 with the same concept, but it was a review of more than just six songs:

Whether you like that type of music or not you have to say that video is pretty funny. To me, it is kind of depressing to see country music deteriorate to this state. I guess if that’s what the people want then so be it. I just think that bro country is meaningless and repetitive, and these videos seem to back me.

They say there’s a George Strait song for everything, and the topic of bro country is no exception. In 2001, a full decade before bro country burst onto the scene, George Strait released a song called “Stars on the Water” as part of his The Road Less Traveled album. The song is most likely the first use of auto-tune in a country song, except it is Strait’s way of mocking “stars” who use voice enhancers and other things of that nature. “Stars on the Water” makes George Strait seem almost psychic, giving a subtle dig at the future artists who dominate the world of country music today.

Strait also collaborated with Alan Jackson on “Murder on Music Row”, in which they claim “someone killed country music” in the chase for “the almighty dollar and lust for worldwide fame”. The lyrics to this song perfectly describe bro country music, and they are probably right when they sing “Ol’ Hank wouldn’t have a chance on today’s radio”.

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Filed under Bro Country, Classic Country, Country Pop, New Country, Uncategorized

by | December 1, 2014 · 11:41 pm

Merle Haggard for the Win

merle-haggard_capitol-edit-dlA couple of weeks ago, I wrote this post about the list CMT has been releasing of the 40 artists who have been the most influential to country music. At that time, the organization had just announced its #4 choice, Dolly Parton. I predicted that the final three would be Merle Haggard, Elvis Presley, and Hank Williams.

Turns out, I was right about the names but wrong about the order. In the end, it was Elvis at #3, Hank Williams at #2, and Merle Haggard at #1. I am surprised that Hank wasn’t the final list-topper, but I will chalk it up to the fact that he’s been dead for 60 years. It’s hard to get too caught up in exact placements on lists like this one because they’re so crowded with talent and importance.

Also, I like Haggard. He’s been performing consistently for half a century, and in that time he’s helped country music both progress and stay true to its roots. On one hand, he is a true country music fan, recording songs by up-and-coming writers like Iris Dement (back in the ’90s). On the other hand, he also respects his elders, paying tribute to greats such as Jimmie Rodgers and Bob Wills. (You can download the Rodgers album here, for free).

We haven’t talked about him much in class, but in case you’re interested, here are two of my favorite Haggard songs:

“Mama Tried” topped the country charts in 1968 and is probably Haggard’s signature song. Don’t ask me why he’s performing on a carousel in this video.

Another chart-topper, “If We Make It Through December” (1974) was the song that made me a Haggard fan. Technically, it’s a Christmas song, but I think the story about a dad having to explain to his daughter why he can’t afford to give her a fancy holiday is worth listening to year-round.

Well, what do you think about CMT’s final list? Who was snubbed?

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Filed under Bakersfield Sound, Classic Country, Lists, Song Analysis