Category Archives: Classic Country

My Dad and Willie Nelson

IMG_0859My dad is a huge country music fan and I think he has passed that down to me. Whenever my dad and I talk about country music he always talk about his favorite artist, Willie Nelson. I learned so much about Willie Nelson from my dad. Even though my dad was born and raised in Bosnia, Willie Nelson was no stranger to him. My dad grew up in many foster homes so music was really the only thing he had. He told me a story of how someone one day dropped off a box at his foster home, filled with different cassettes and records. My dad never really had anything so when people brought in freebies, he was always the first one to go and look in the box. That day he came across a Willie Nelson record. Still to this day he has this Willie Nelson record.

FullSizeRenderI made the mistake one day and asked my dad where he got this record from because what I thought was going to be a simple answer turned into a two hour story. My dad told me that from the day he laid hands on this record, he knew that country music would be an important thing in his life. When I was little my dad would always play Willie Nelson songs and we would talk about what these songs meant to him. I would always ask my dad what his favorite Willie Nelson songs was and he would always tell me, “I don’t have one.” It was hard for him to pick a favorite because he said Willie Nelson had so many great hits. I learned so much from my dad while growing up but learning to share his love for country music was one of the greatest. Even though I may not be a little girl anymore, my dad and I still sit around some days and listen to country music together. Country music is one of the many things that we have in common. I love my dad and I am so glad we can experience our love for country music together.

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Filed under Classic Country, Outlaw, Reflection

The Queen of Country Music

loretta-lynn-real-ageSince I’ve been researching Loretta Lynn a lot lately, I started thinking about how the only reason I was interested in her was because my Grandma told me that Loretta is her favorite country singer. This made me realize that I really didn’t know much about her beforehand, because she is not someone that people of my generation will go out of their way to listen to. As someone who considers herself an avid listener of country music, this was very hard to process. I was starting to wonder if she had just been completely forgotten about, as I had not heard her name in a while.

Imagine my excitement when I received a message from my mother about Loretta Lynn on the CMAs. Kacey Musgraves was performing “You’re Looking at Country” for the award show audience, and in the middle of the song stopped and introduced Loretta Lynn as the “Queen of country music.” Loretta walked out in a sparkly long dress and finished off the song as a duet with Musgraves.

lorettaThe best part of the performance, in my opinion, is looking at the audience’s reaction. The second Lynn came on stage, everyone in the building was on their feet with a round of applause that could bring any performer to tears. The duo finished out the sound, harmonizing perfectly and standing side by side with their arms around each other. The audience was going crazy, and I think this could be attributed to the possibility that seeing Loretta Lynn on stage was very unexpected.

Aside from the research I have been doing on her the past few weeks, I have not really heard her name thrown around much. I feel like people are so focused on who the next up and coming country stars are, that they forget to take a step back and look at some of the most influential performers of the country music history. Loretta Lynn made waves across the country, topping charts year after year; so how could someone so big just fall off the grid? Back in the day, Lynn was all over the country world, and this just shows that she is not ready to be forgotten.

The Queen is has put herself back on the throne, and this can only mean good things for her, especially in the midst of her Coal Miner’s Daughter tour, which is continuing next weekend. From everything I’ve learned about her recently, I know that Loretta is a pretty amazing lady, so I cannot wait to see what she is going to do with the rest of the tour, as she never ceases to amaze and inspire those around her, and this is clearly seen in the adoration that fans showed her last week.

Take a look for yourself:

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Filed under Classic Country, Reflection, Women

Give Hank a Listen

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If I were to recommend only one country musician for somebody to listen to, I would have to go with Hank Williams, an artist whose songs originally piqued my interest in country music.  Hank Williams is considered one of the most influential figures in country music history, and was the first artist to be inducted into the Country Music Hall of Fame alongside Jimmy Rodgers and Fred Rose.  Although he died at the young age of 29 in 1953, he left behind timeless songs that keep him relevant to country musicians and fans to this day.

One of the things that I like the most about Hank Williams is that I feel as if I can relate to him as a person.  For anybody who has ever lost a true love, you know that it is an incredibly painful and scarring experience.  Many, if not most, of Hank Williams’ songs deal with his experience with heartbreak and loss.  His music has definitely helped me work through some of my own feelings of loss, or at least helped distract me from it.  The first song I heard from Williams, “Alone and Forsaken“, is an old favorite of mine.

Another one of my favorite Hank Williams tracks is one of his more uncharacteristically positive songs, “I Saw the Light“.  It is an upbeat song that incorporates both folk and gospel elements, something that Williams was often known to do.   It is also refreshing to hear a different side to Williams than the pain-stricken one that we hear in most of his songs.  “Settin’ the Woods on Fire” is another song that focuses more on rhythm and rhyming than storytelling and sorrow.

Although Hank Williams didn’t live a long life, he certainly seemed old beyond his years.  It would be hard enough to live your entire life with spinal issues, never mind with the amount of personal and romantic trouble he found himself wound up in.  Nevertheless, he still found a way to share his experiences through songwriting.  His song “Lost Highway” paints a vivid picture of Hank’s lonely life, and offers advice for any listeners who can still be saved.  Although his songs are relatively simple, the emotion that Hank conveys makes listening to him a personal experience.

I recommend that you at least give Hank Williams a listen.  His songs are not very long, but they convey powerful messages that let you relate to Hank.

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Filed under Classic Country, Honky Tonk

Alabama’s Own: Hank Williams

Unknown Growing up in Alabama I’ve learned a lot about Hank Williams in my lifetime. Hank was born on September 17, 1923 in the small town of Mount Olive, Alabama. Hank’s family had little money when he was growing up. His family moved around many small towns throughout southern Alabama when he was a boy due to his father working for a lumber company. Hank was born with Spina Bifida Occulta, which led to many drinking and drug problems later in life and his death at the age of 29.

Enough with the boring stuff. Junior year of high school I took a class which was titled Southern Culture. We learned anything and everything there is to learn about the south, 2360756some which include: food, animals, plants, but most importantly music. It was taught by a guy named Phil Proctor, whose a teacher at our high school, but he’s also a musician. His band (The Deluxe Trio) plays anything that you can think of that involves country and or blues. You can find his website here www.PhilProctor.net. Halfway through the semester Mr. Proctor took our class on a field trip to see one of Hank Williams childhood homes in Georgiana, Alabama.  I know many of ya’ll are probably thinking, “Wow, this is what kids from Alabama do in school.” But no, it was actually really interesting.

Hanks original house in Georgiana burned down while him and his family lived there, but they moved down the road to 127 Rose Street. Georgiana, Alabama is about an hour and a half from my home in Mobile. His home is now turned into a museum, and you can see many valuables in the home that influenced Hank to become who he was. We got to stand on the porch where Hank learned how to play guitar from a street singer named “Teetot”. Being a foolish high schooler I obviously did not take any pictures at the time, and now regret that. Luckily I was able to find some off of the internet…

mdmd1fcl4zg2axmuz4ibHank’s family eventually moved out of this house in 1937 and relocated to Montgomery, Alabama. Even though Hank lived in multiple houses growing up, this home in Georgiana is specifically known to be where his musical success started to take off. Hank Williams died of a heart attack on January 1st, 1953 in the back of a Cadillac. When they found him, he was accompanied with empty beer cans and half written lyrics. I never really realized the influence Hank Williams had on country music before I took this class. His impact on country music has grown since his early death at the age of 29. Artists such as Bob Dylan, Norah Jones, and Dinah Washington have all done covers of his work. His son, Hank Williams Jr., has also done covers of his fathers songs, and also has made a name for himself in the country music industry. In 1961 he was inducted into the Country Music Hall of fame, and in 1985 inducted into the Alabama music hall of fame. I hope this blog has helped you learn a little more about Alabama Native Hank Williams, let me know what ya’ll think!

“Hank Williams.” Bio. A&E Television Networks, 2014. Web. 22 Oct. 2014.

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Filed under Classic Country, Honky Tonk

Still a Fujiyama Mama

Wanda Jackson

This past August I caught the legendary Wanda Jackson performing at Austin’s Continental Club. It was a memorable show, but it left me with mixed feelings about her legacy and popular culture’s general lack of interest in female musicians once they reach “a certain age.” This is probably why it has taken me well over two months to write about the experience. Conveniently, yesterday was Jackson’s birthday. She turned 77.

Known as the “Queen of Rockabilly,” Jackson rose to fame in the late 1950s as a kind of female version of Elvis Presley. In fact, she and Elvis toured together and even dated for a time. She gives him credit for convincing her to leave the honky-tonk music she grew up singing in California and Oklahoma for the rockabilly songs that would eventually land her a spot in the Rock and Roll Hall of Fame (she was inducted in 2009).

Wanda Jackson & Elvis Presley

Wanda & Elvis (c. 1956)

The most successful rockabilly performers tended to be men (Elvis, Cash, etc.). Jackson did not ever top them in radio play or record sales, but in her songs she found the room to put their masculinist worldview in its place. “I Gotta Know” (1956), for example, pokes fun at Elvis’s dancing, with the narrator complaining that “[w]hen you’re on that floor you’re cool man cool, but when it comes to loving you need to go to school.”

Furthermore, in songs like “Fujiyama Mama” (1957) and “Riot in Cell Block #9” (1960), she brings into plain view the topic of female sexuality, which the male rockabillies avoided. In these songs, sexual desire is a dangerous and unsettling force–powerful as an atomic bomb or a prisoners’ revolt. In “Riot,” she describes female inmates overpowering their guards and cat-calling the male militia members who are sent in to calm them down. The song had been a hit for the Robins–an all-male R&B band–in 1954, but when Jackson performed it,  it became a kind of transgressive, feminist response to Elvis’s “Jailhouse Rock” (1957).

In the 1960s, rockabilly began losing its commercial appeal and Jackson moved back into country (and later, gospel) music. In songs like “The Box It Came In” (1966) and “My Big Iron Skillet” (1969), she continued criticizing philandering men, even threatening them with violence. But her bigger hits from this period were more often about heartbreak and standing by your man whether he’s right or wrong, which makes it hard to argue that there is any kind of feminist message unifying her many, many records. Colin Escot, in the book accompanying Bear Family’s 8-CD collection of her country recordings, chalks this up to Jackson’s never having the kind of major hit that would bring her the power to choose the best new songs. In a sense, she made a career making the best she could of the leftovers.

Dusty's Wanda Jackson ShowOn one hand, the Continental Club is a perfect place for Jackson to perform. Open since 1957, it has hosted some of the United States’s greatest musicians, from Tommy Dorsey to Stevie Ray Vaughan. The owner, Steve Wertheimer, has honored Jackson with tribute shows, and she clearly feels at home there. The performance I attended lasted a little over an hour, which was understandable given her age and that there were 2-3 other acts also playing that night. She was surprisingly energetic, shrieking into the mic like a crazed inmate at one point and later yodeling her way through “I Betcha My Heart I Love You.”

But on the other hand, I couldn’t help but think that after rocking for six decades the Queen of Rockabilly should be playing someplace a little nicer–someplace where the audience has sense enough to shut up when she talks about grabbing sodas on her dates with Elvis Presley. For all its history, the Continental Club is a little shabby around the edges and is exactly the sort of place Jackson must have had in mind when she admitted to Escot that she wished she didn’t have to play honky tonks anymore. I would think that Wanda fucking Jackson wouldn’t have to play anywhere she didn’t want to anymore.

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Filed under Austin, Bakersfield Sound, Classic Country, Live Music, Reflection, Rockabilly