Feminism In Country Music

Country music doesn’t have much of a reputation for speaking out about gender equality and women’s rights. Songs like Tammy Wynette’s “Stand By Your Man” definitely does not help this reputation.  For years women in the country music industry have written songs about men breaking their hearts, getting cheated on, and loving a man who isn’t kind or thankful. However, many female country music artists in the past as well as today are boldly speaking out about these issues.  Women have enhanced country music and have developed the genre into what it is today, so I believe that these women deserve some recognition.  I have developed a random list of a few country songs that I believe have made a significant contribution to spreading the idea of feminism in country music.

Maddie & Tae – “Girl In a Country Song”

This song was released in July, 2014 as their debut single.  It has been played over and over again on country music radio since its release.  These two girls wrote this song as a response to their frustration with Bro Country.  They were tired of girls being portrayed as sexual objects for many famous male performers.  Maddie & Tae use a sarcastic song to make fun of Bro Country and show the ridiculousness of many famous songs in this beloved sub-genre.  These girls express their feminist views with lyrics such as these: “We used to get a little respect / now we’re lucky if we even get / to climb in your truck, keep our mouth shut and ride along / and be the girl in a country song.”

Dolly Parton – “Just Because I’m a Woman”

https://youtu.be/lz_ejQbDoS0

“Just Because I’m a Woman” is apparently Dolly Parton’s response to a conversation with her husband about how many lovers they’d had in the past. It has a simple message, yet a powerful one.  Dolly says that just because she is a woman, her mistakes are no worse than her husband’s.  Released in 1968, this song made a splash and spoke about women’s rights long before people were ready to accept the message.

Shania Twain – “Man! I Feel Like a Woman!”

Shania Twain is one of my favorite artists because her songs are easy to understand and enjoyable to listen to, but usually have a hidden message.  In this song, Shania is expressing her pride in being a woman.  Shania stands up for women’s right to have a good time without a man by saying, “No inhibitions, make no conditions / get a little outta line / I ain’t gonna act politically correct / I only want to have a good time.”  Songs like these paved the way for artists like Britney Spears and Carrie Underwood to be accepted into the music world as sassy, strong women.  Some people even believe that this song is also speaking about gays rights, which makes the song even more incredible.

Wanda Jackson – “My Big Iron Skillet”

“My Big Iron Skillet” is about a woman fed up with her husband’s philandering and mistreatment of her. Not that we condone beating your spouse with a skillet, obviously, but it shows a woman standing up for herself, and that’s a thing we can support.  Wanda says “And you think here at home is where I ought to be / There’s gonna be some changes made when you get in tonight / Cause I’m gonna teach you wrong from right.”  Wanda really knew how to assert herself as an independent woman back in a time when most women did not do this.

The Carter Family – “Single Girl, Married Girl”

https://youtu.be/Lsmgy0dqzyw

The Carter Family probably wasn’t the first to sing this song, but it echoes the roots of feminism in country and folk music.  This song is a tale that warns women to savor their independence.  The single girl gets to flaunt her nice clothes while the married woman is left rocking a cradle and crying.  It’s definitely not a bad thing to be married, but the Carter Family just wants women to make something of themselves instead of depending on a man. This is one of the earliest feminist songs, making the Carter Family even more legendary.

Kacey Musgraves – “Follow Your Arrow”

Kacey Musgraves has a made a huge splash in the country music world by sharing her liberal views in a primarily conservative genre.  This song, “Follow Your Arrow” pushes people to do whatever makes them happy and not try to please others.  Although this song is a comment on gay rights and acceptance, I believe that it is also a very feminist song.  Kacey tells us to make lots of noise and kiss lots of boys, which was not an acceptable way for women to act in the past.

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Filed under Lists, Politics, Song Analysis, Women

How to Get a Record Deal These Days

Over spring break I went to Nashville with my mom, who used to work as a back up singer for Barbara Mandrell in the 80’s. The little boy my mom would babysit before she began working with Barbara in Nashville is now a Writer-Publisher relations director at Broadcast Music, Inc, better known as BMI. Over spring break I had the pleasure of meeting him and his father, Tom Collins, who produced Barbara’s albums for years. Tom’s favorite saying about the country music industry, “Nothing stays the same but change” is evident in music’s sound, top artists style, lyrics and in many other ways. I wanted to know how becoming an artist had changed.

Did aspiring country music stars still go door to door on music row with a guitar in hand hoping to land a record deal? Or did scouts from music companies do most of the work, finding artists performing live at small open mic venues? So I asked the Collins men, “What does it take to get a record deal these days?” Bradley was quick to answer with a reply that surprised me. Many artists BMI signs today come in with an already produced album of quality original songs. By this point the artist has released and promoted these songs, and preferably already gained a following. Bradley said the company was holding back on signing new artists and keeping them for two or more years waiting for their big break. The days of empty handed but talented artists are virtually over. Singers have to walk in with material to show, a fan base to prove the music’s potential and a lot of leg work already done. Artists like Sam Hunt used this approach and have seen amazing success.

At this point I was wondering how I would ever go about this on my own. Do I have the resources to record a demo? How would I promote my music on my own? Do I have the talent to write original songs? I decided to ask about how to find songs to sing on a demo. He asked who my favorite writer is and I told him Kacey Muskgraves. He advised me to look up Shane McAnally, who writes a lot of Kacey’s songs with her and look through his catalog, or list of all the songs he has written. Then read through these and find one that I like that hasn’t been released as a single or hasn’t been played often over the radio. This is a great way to find a song to put down on a demo to show record labels, but cannot be sold because of copyrights. 

Shane and Kacey with Kenny Chesney at the ACM awards

Another option is to write your own music. The first step to writing is to listen to the radio, find songs you like, look up the writers and look at other songs in their catalog. This way it is easy to find patterns in song structure, lyrics, and music that you find appealing. Start by copying the patterns you like and eventually, once you’re comfortable, come up with original material. He said playing an instrument is not vital, there are many successful lyricists who can only write the lyrics to their songs. I loved hearing that since I don’t play any instruments! After you have an original song, you have to find a recording studio with good studio musicians and an idea of how you want to produce your song. Once your song is recorded with the right instruments and arranged the way you want it, it’s up to you to get it out there. With the internet it is so much easier these days to promote new music, but without any fan base, it is a difficult task to get a song out to the world. Through social media and word of mouth it is possible for a hit song from an unknown artist to reach millions of ears.

The key is to be as prepared as possible when walking into a record label, even if that means doing a lot of work on your own. A few talented singers, like Lennon and Maisy have been found from a simple video on Youtube, that is rare and takes a lot of luck. I believe quality is the best policy when promoting music. Another tip is to make connections. The best way into the music scene is if you already know someone involved. Go to that person for guidance and advice. Some advice Tom gave me that I will never forget is “Don’t be intimidated by competition, there might be someone out there who is better than you. There will always be someone better. The successful person is the one who wants it the most.” This advice definitely applies to the new style of getting a record deal. The artist who works the hardest to promote their music will come out on top.

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The Beverly Hillbillies

Flipping through the channels I stumbled upon a show called “The Beverly Hillbillies.” Now I do not have cable so I usually find myself watching the black and white station more than in color. I know a 20-year-old college girl probably wasn’t their ideal target but I’ve been told that I’m an old soul as “Breakfast at Tiffany’s” is my absolute favorite movie. “The Beverly Hillbillies” was right up my alley as it is filled with corny jokes, banjo instrumentals and all around good humor.

https://youtu.be/uKNHKCizljg

First aired in September of 1962, “The Beverley Hillbillies,” initially deemed as unsophisticated by some critics, quickly rose to become a very popular show in America. Its episode “The Giant Jackrabbit” is still to this day the most watched half hour episode of a sitcom. I think this is one of the funnier episodes that I have watched.

The_Beverly_HillbilliesThe Clampett family was (I’m sure) a huge pull for audiences because they are amusing and likeable. While the show does give the image of simple-minded country folk it is all in good humor and doesn’t aim to do harm to any class of people. The hillbillies are the ones that come out on top in both money and familial ties the end. Besides the actual visuals of the show the music, whether it be the introduction or in the background, is very vital. At the beginning of every episode their theme song, The Ballad of Jed Clampett, is performed. It is a very catchy bluegrass tune, which was performed by Flatt and Scruggs. I didn’t know this at the time, but I watched an episode in which they were the guest stars.

This video is only a snippet of the entire episode, but I feel that it highlights their talent. It shows the influence of country music on “The Beverly Hillbillies” though there really is no other genre that would be suitable for this show. You can see in this episode that even the cast enjoys singing and dancing along with Flatt and Scruggs, as they are very gifted and charismatic. I invite all of you to sit and watch an episode of “The Beverly Hillbillies.” I know that anything that is black and white is a deterrent for television viewers now a days, but I think it is nice to go back to a simpler time when good honest humor didn’t have to have “R-Rated” references to be funny. Watch an episode and tell me what you think! Did it put you to sleep or did you enjoy the simple comedy?

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Filed under Hillbilly, Movies and TV, Reflection, Reviews

Student-Made Music Videos II

“Carry On” (2001) by Pat Green. Video by Justin Cole, Gaby Hernández, and Reid Thompson.


“Friends in Low Places” (1990) by Garth Brooks. Video by Samantha Godfrey, Jordanne Mickle, Keaton Schlueter, and Julianne Staine.


“The Greatest” (1999) by Kenny Rogers. Video by Emma Morgan, James Pruitt, and Daniella Torres.


“Gunpowder and Lead” (2008) by Miranda Lambert. Video by Courtney González, Erin McAtee, and Abby Shamis.


“Hell on Heels” (2011) by the Pistol Annies. Video by Randle Cecil, Shelby Conine, Lynden Orr, and Shannon Smith.


“Just to See You Smile” (1997) by Tim McGraw. Video by Joshua Fleming and Marissa Gallardo.


“Mama’s Broken Heart” (2013) by Miranda Lambert. Video by Taylor Campbell, Madison Comstock, Katie O’Neil, and Abby Wills.

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The 50th Anniversary of the ACM Awards

Another year has passed and another ACM awards show has come and gone. This star studded event moved from its traditional home in Nashville to the great state of Texas this year, and managed to set a new world record for most attendants at a live awards show. While there were many great performances throughout the night, I felt there were a few performances that stood out among the rest.

The show started off with the presentation of its first milestone award to the King of Country, George Strait.

George also happened to get by far the loudest crowd reaction of any of the artists throughout the whole night. He performed his classic “All My Exes Live in Texas” followed by his new single “Let it Go”. I feel like there is pretty much no better way to start off a country awards show than by having one of the best in the business kick it off. I also liked that he performed one of his classic songs that everyone knows, followed by something brand new. With all the songs today revolving around partying and drinking and having fancy lights and electric guitars playing, it was nice to pay homage to the classic sound of country music. During the performance, there were some fancy lights in the background, but mainly it was just George Strait and his band. No running through the crowd, no electric guitars, just plain and simple country music.

Later on in the show, Garth Brooks received another of the Academy’s milestone awards. He performed a song off of his latest album called “All American Kid” which is dedicated to all the men and women of the Armed Forces.

https://www.youtube.com/watch?v=-Lu9l22yBc4

I liked this performance because it paid homage to the troops and celebrated patriotism. There are lots of songs that celebrate patriotism, and I think that’s one of the more important themes in country music that not a lot of artists really sing about nowadays, so I found it kind of nice to hear the crowd cheering and see all of the artists saluting our troops.

Finally, Alan Jackson performed “Where Were You When the World Stopped Turning?”

https://www.youtube.com/watch?v=J9P1mX54H5w

I personally thought this was the best performance of the night. Even though the song was performed at the show for the 20th anniversary of the Oklahoma City bombings but written for September 11th, I feel like the meaning still got across. It covers a sad subject, but it also reminds us to cherish the simple things, and again I think that’s something very important to country music. I think a lot of artists today try to get the meaning of simplicity and loving the simple things in life across in most of their songs, and I felt like this performance by Alan Jackson really hammered that meaning home.

While I may not agree with all the award winners, I still felt like this was one of the better ACM shows that I have watched. There was a good mixture of both new and old country artists, and the fact that they had two special performances for the troops and the OKC bombings made me really enjoy this 50th anniversary of the ACM Awards.

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Filed under Awards, Classic Country, Country Pop, Live Music, Movies and TV