Category Archives: Awards

The 50th Anniversary of the ACM Awards

Another year has passed and another ACM awards show has come and gone. This star studded event moved from its traditional home in Nashville to the great state of Texas this year, and managed to set a new world record for most attendants at a live awards show. While there were many great performances throughout the night, I felt there were a few performances that stood out among the rest.

The show started off with the presentation of its first milestone award to the King of Country, George Strait.

George also happened to get by far the loudest crowd reaction of any of the artists throughout the whole night. He performed his classic “All My Exes Live in Texas” followed by his new single “Let it Go”. I feel like there is pretty much no better way to start off a country awards show than by having one of the best in the business kick it off. I also liked that he performed one of his classic songs that everyone knows, followed by something brand new. With all the songs today revolving around partying and drinking and having fancy lights and electric guitars playing, it was nice to pay homage to the classic sound of country music. During the performance, there were some fancy lights in the background, but mainly it was just George Strait and his band. No running through the crowd, no electric guitars, just plain and simple country music.

Later on in the show, Garth Brooks received another of the Academy’s milestone awards. He performed a song off of his latest album called “All American Kid” which is dedicated to all the men and women of the Armed Forces.

I liked this performance because it paid homage to the troops and celebrated patriotism. There are lots of songs that celebrate patriotism, and I think that’s one of the more important themes in country music that not a lot of artists really sing about nowadays, so I found it kind of nice to hear the crowd cheering and see all of the artists saluting our troops.

Finally, Alan Jackson performed “Where Were You When the World Stopped Turning?”

I personally thought this was the best performance of the night. Even though the song was performed at the show for the 20th anniversary of the Oklahoma City bombings but written for September 11th, I feel like the meaning still got across. It covers a sad subject, but it also reminds us to cherish the simple things, and again I think that’s something very important to country music. I think a lot of artists today try to get the meaning of simplicity and loving the simple things in life across in most of their songs, and I felt like this performance by Alan Jackson really hammered that meaning home.

While I may not agree with all the award winners, I still felt like this was one of the better ACM shows that I have watched. There was a good mixture of both new and old country artists, and the fact that they had two special performances for the troops and the OKC bombings made me really enjoy this 50th anniversary of the ACM Awards.

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Filed under Awards, Classic Country, Country Pop, Live Music, Movies and TV

Hall of Fame’s Class of 2015

In class, I mentioned that the Country Music Hall of Fame would be announcing its 2015 inductees soon. Turns out, the announcement arrived at the end of March. I thought y’all might want to learn a little more about the new members.

Most years, the Hall of Fame honors people in three categories: (1) a “veteran” artist who has been around for 45+ years, (2) a “modern” artist who has been around for 25+ years, and (3) either a songwriter, musician, or someone else involved in the music business. As usual, I am getting my information from Trigger over at Saving Country Music, who shares additional information about who has been honored in the past and how the decisions are made.

This year’s “veteran” inductee is the Browns, a family trio that had a number of crossover hits in the 1950s and early 1960s. Their best known song is probably “The Three Bells,” which was adapted from a French song (“Les Trois Cloches”) and was a #1 hit on the country and pop charts and — most surprisingly for a country song — a top 10 R&B hit as well. The group’s success coincided with the heyday of the Nashville Sound, which explains the crossover appeal and lush orchestration — and also probably the reason it has taken the group so long to be canonized. If you watch the video, you’ll understand why people criticize the Nashville Sound for not sounding authentically country.

After the group disbanded in the 1960s, the male singer, Jim Ed Brown, enjoyed some success as a solo artist. His best known song is “Pop A Top,” which Alan Jackson covered in 1999. Jim Ed has continued to perform at the Grand Ole Opry, and in January of this year he made waves for releasing his first studio album in 40 years (called In Style Again). That same month he underwent a series of treatments for cancer, and it could be a combination of the new album and frail health that led the Hall of Fame to choose to recognize the Browns with its highest honor after ignoring the group for so long.

The “modern” inductee is the Oak Ridge Boys, whose Christmas music I am familiar with but who otherwise are pretty unknown to me. Trigger points out the irony that the Oak Ridge Boys actually formed in the 1940s, which makes their induction as a “modern” act kind of suspect. Anyway, they got their start as a gospel quartet before enjoying a series of country hits — including many #1s — in the 1970s and 1980s. One of their best known hits is 1981’s “Elvira,” which hit #1 country and #5 pop.

The musician being inducted is the late Grady Martin, who played guitar on Marty Robbins’s “El Paso,” Loretta Lynn’s “Coal Miner’s Daughter,” and handfuls of other Rockabilly, Nashville Sound, and Classic Country recordings.

Of course, as soon as the inductees were announced, discontented fans took to social media to say who really “should” have been recognized instead of these three. Since it’s pretty hard to get into the Country Music Hall of Fame, there are a number of people who have been eligible for a while who still aren’t in, and every year there are younger stars who are newly eligible.

Some eligible performers who haven’t yet been invited to join include the Maddox Brothers and Rose, Ralph Stanley, Hank Williams, Jr., Charlie Daniels, June Carter Cash, Lynn Anderson, Tanya Tucker, David Allen Coe, Johnny Paycheck, Ricky Skaggs, Rosanne Cash, Dwight Yoakum, Randy Travis, Alan Jackson, Brooks and Dunn, Tim McGraw, Toby Keith, and Kenny Chesney.

What do you think about the new inductees? Are you familiar with any of them? Who do you hope makes it in, in the next couple of years? I would love to know!

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Filed under Awards, Classic Country, Countrypolitan, Nashville Sound, News

What will the ACM Awards bring this year?

This Monday, March 30th, the second round of performers for this years Academy of Country Music Awards was announced. This year will mark the 50th ACM celebration so they are going all out with the performers. The academy is bringing back veterans, having new artists perform, and creating crossover duets with pop artists. The ACM’s will take place on April 19th at the AT&T stadium in Arlington, Texas.

However, the interesting part of who will be performing is whom they chose for the duet performances. As of right now it is Nick Jonas with Dan and Shay. And then Christina Aguilera is said to be performing with a surprise artist for a surprise duet. Aguilera will also be appearing as a guest star in Nashville, on April 15th. This is especially interesting because the ACM’s are only four days after her country music debut. Granted on the show Aguilera’s character will be an already established pop artist that wants to record a country album.

Last years best duet performance was with Shakira and Blake Shelton. It turned out to be more of a rock tune than country but still people went wild for it.

They also performed this song on The Voice. I think that this performance was awesome. Personally, I just like how their two voices blend together because they are so different. With Shakira’s Spanish accent shining through and then Shelton’s country accent, together I think that they create a very unique sound.

For the 2013 Academy of Country Music Awards there were two crossover duet performances, the first by Hunter Hayes and Stevie Wonder and the second by Brad Paisley and John Mayer. Hunter Hayes and Stevie Wonder performed “Sir Duke”. Hunter Hayes also did a solo performance of “I Want Crazy”, however, the duet with Stevie Wonder completely overshadowed his solo.

Brad Paisley and John Mayer performed “Beat This Summer”. This performance was primarily sung by Paisley. Both Mayer and Paisley contributed to the guitar solo and Mayer took over one verse of the song.

Maybe it is because this is not one of my favorite Brad Paisley songs but I did not enjoy this performance as much. However, I think that the Hayes and Wonder duet was much better, got the audience more into the performance, and had a much better sound to it.

I think that duet performances are unique because of how they bring two different voices together. Especially the duets performed at the ACM’s because they usually take artists from two different genres. This is great because the performances combined two opposite sounding vocals and creates an amazing crossover sound. I am very excited to see how the duet performances for this year turn out.

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“Country Chameleon”

Tim McGraw’s recent performance at The Oscars on Sunday night reminded me of an article I read recently for my Country Sub-Genre project. A country blog titled The Boot did a feature article last week called “Country Chameleon: The Ever-Changing Music of Tim McGraw.”

The article provides arguments from both critics and supporters of McGraw’s changing style. Critics believe that Tim McGraw’s newer songs are too automated and are not happy with the electronic sounds of his music. For example one of the critics stated, “LEAVE THE AUTOMATED STUFF TO POP AND HIPHOP!!! I can’t be the only one that missed acoustic guitars and unautotuned voice.” It is noted that Tim McGraw, at age 46, has gotten to the point when artists start to wash out; McGraw, however, is actively keeping his music, sound, and image current to fit with the time. “[Tim McGraw] has always been among the first big-name artists to embrace new changes. That keeps his music sounding fresh and new – even if it risks alienating some of his more traditional-minded listeners,” states the author.

For these reasons I think Tim McGraw was the perfect person to perform the tribute to Glen Campbell. McGraw was able reach two different audiences thanks to his smart business tactics: those who like Glen Campbell and McGraw’s older style of music, and his current fans who appreciate his modern sound.

Although critics of Tim McGraw tend to be harsh, one has to appreciate the barriers he’s broken down to get to where he is now.  McGraw has managed to stay a threat and country music power figure even with his growing age.  This is especially difficult considering he has done all of this as a member of the country-pop sub-genre.  Older fans criticize McGraw’s changing sound and believe he has abandoned his roots, but as an artist if he’s happy with his work and is successful at what he does then who are we to say that Tim McGraw isn’t being true to himself?  I’ve grown up listening to Tim McGraw and as a fan I think we should be commending him for keeping up with the fast-paced and always-changing modern music business, rather than tearing him down.

What do you think?  How was Tim’s performance on Sunday night?  Is Tim selling himself out for modern fame and fortune?  Leave your thoughts in the comments below!

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Filed under Awards, Country Pop, Countrypolitan, Live Music

Tim McGraw Performs at the Oscars

Tonight, on Sunday, February 23, 2015, Tim McGraw performed at the Oscars, cowboy hat and all. He didn’t belt out one of his classics, but instead performed an original song by Glen Campbell, from the movie, Glen Campbell: I’ll Be Me.

Screen Shot 2015-02-23 at 12.32.17 AMThe song, “I’m Not Going to Miss You” was sad and beautiful, describing the experience of getting Alzheimer’s and losing your family and the experience that country singer Glen Campbell is going through. And Tim McGraw, without much production, let his performance speak for itself.

I am a huge Oscars person. I love all awards shows in general, but as a movie fanatic, this one takes the cake. I am also a Tim McGraw fan. (I have seen him at the Houston rodeo a ridiculous amount of times.) I absolutely loved seeing him perform, staying true to his roots with his country style simplicity up on that stage.

Watching McGraw’s performance made me think about his evolution as a performer. Growing up in Houston where country music dominates half of the radio stations, I was very familiar with his dozens and dozens of chart topping hits, like “Live Like You Were Dying” or “Just to See You Smile.” But as I grew older, McGraw’s presence in popular culture continued to evolve and expand. He was no longer just known for his country twang, but instead for his acting chops. From Friday Night Lights to The Blindside, Tim McGraw was all of the sudden on my television more than on my radio.

What I found really interesting about this change in career path for McGraw is that he somehow still felt like the same country singer. While I do struggle to recognize him without his beard he sported for the better part of a decade, his personality and career decisions still line up with the Tim McGraw country star persona. He’s not starring in action flicks or comic book movies, but instead he is playing roles pretty similar to himself or related to the roots of country music. Whether it’s Sandra Bullock’s husband hanging out in his native Tennessee in The Blindside, or playing a guy in the country music world in Country Strong, there’s an element of Tim McGraw in every role he picks.

The song he performed tonight might not have been his own, but it certainly made me nostalgic for some McGraw hits and it also made me wonder what next movie he will be in. Hey, maybe next time he will be up on that stage accepting an Oscar! You never know!

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Filed under Awards, Country Pop, Live Music, Uncategorized