Category Archives: Country Subgenres

Hall of Fame’s Class of 2015

In class, I mentioned that the Country Music Hall of Fame would be announcing its 2015 inductees soon. Turns out, the announcement arrived at the end of March. I thought y’all might want to learn a little more about the new members.

Most years, the Hall of Fame honors people in three categories: (1) a “veteran” artist who has been around for 45+ years, (2) a “modern” artist who has been around for 25+ years, and (3) either a songwriter, musician, or someone else involved in the music business. As usual, I am getting my information from Trigger over at Saving Country Music, who shares additional information about who has been honored in the past and how the decisions are made.

This year’s “veteran” inductee is the Browns, a family trio that had a number of crossover hits in the 1950s and early 1960s. Their best known song is probably “The Three Bells,” which was adapted from a French song (“Les Trois Cloches”) and was a #1 hit on the country and pop charts and — most surprisingly for a country song — a top 10 R&B hit as well. The group’s success coincided with the heyday of the Nashville Sound, which explains the crossover appeal and lush orchestration — and also probably the reason it has taken the group so long to be canonized. If you watch the video, you’ll understand why people criticize the Nashville Sound for not sounding authentically country.

https://www.youtube.com/watch?v=BcENEHz5U00

After the group disbanded in the 1960s, the male singer, Jim Ed Brown, enjoyed some success as a solo artist. His best known song is “Pop A Top,” which Alan Jackson covered in 1999. Jim Ed has continued to perform at the Grand Ole Opry, and in January of this year he made waves for releasing his first studio album in 40 years (called In Style Again). That same month he underwent a series of treatments for cancer, and it could be a combination of the new album and frail health that led the Hall of Fame to choose to recognize the Browns with its highest honor after ignoring the group for so long.

https://www.youtube.com/watch?v=RpW8t1mAP_c

The “modern” inductee is the Oak Ridge Boys, whose Christmas music I am familiar with but who otherwise are pretty unknown to me. Trigger points out the irony that the Oak Ridge Boys actually formed in the 1940s, which makes their induction as a “modern” act kind of suspect. Anyway, they got their start as a gospel quartet before enjoying a series of country hits — including many #1s — in the 1970s and 1980s. One of their best known hits is 1981’s “Elvira,” which hit #1 country and #5 pop.

The musician being inducted is the late Grady Martin, who played guitar on Marty Robbins’s “El Paso,” Loretta Lynn’s “Coal Miner’s Daughter,” and handfuls of other Rockabilly, Nashville Sound, and Classic Country recordings.

Of course, as soon as the inductees were announced, discontented fans took to social media to say who really “should” have been recognized instead of these three. Since it’s pretty hard to get into the Country Music Hall of Fame, there are a number of people who have been eligible for a while who still aren’t in, and every year there are younger stars who are newly eligible.

Some eligible performers who haven’t yet been invited to join include the Maddox Brothers and Rose, Ralph Stanley, Hank Williams, Jr., Charlie Daniels, June Carter Cash, Lynn Anderson, Tanya Tucker, David Allen Coe, Johnny Paycheck, Ricky Skaggs, Rosanne Cash, Dwight Yoakum, Randy Travis, Alan Jackson, Brooks and Dunn, Tim McGraw, Toby Keith, and Kenny Chesney.

What do you think about the new inductees? Are you familiar with any of them? Who do you hope makes it in, in the next couple of years? I would love to know!

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Filed under Awards, Classic Country, Countrypolitan, Nashville Sound, News

Too Lesbian for Country Radio?

As I checked Facebook for the millionth time today, I saw two topics that really interested me. The first was that The Walking Dead now has a spinoff show called Fear the Walking Dead set to premiere sometime in the summer, while The Walking Dead is in between seasons. The second topic of interest was about the Little Big Town song “Girl Crush”.

People in Idaho, and I imagine elsewhere, were demanding “Girl Crush” not be played on the radio, because “the lyrics promote the gay agenda”. As I read the article, I couldn’t help but think of the close-mindedness of my fellow country music listeners. And the second thought in my head? Were these people even listening to the lyrics? I can understand if people were using their selective hearing and thought it was about a lesbian romance. However, if you actually listen to the song you should be able to tell that it is about a jealous woman who wishes, essentially, that she was the woman her ex now loves. “I want to drown myself in a bottle of her perfume” is not because the narrator of the song wants to be with said woman, but because the ex likes this woman and perhaps if the narrator smelled like this woman the ex might like her more. That’s why the lyrics, “yeah ‘cuz maybe then you’d want me just as much” make sense. If the song were about lesbians, that line would not make sense.  I, myself, enjoy the way Charlie Worsham words his opinion on the situation:

girl crushExcuse me if this sounds rant-y, but it is 2015. Why do people have to complain every time they hear something they do not like? Why are people so easy to offend? Let’s look at more components to this little ordeal. The song was written by three women Lori McKenna, Liz Rose and Hillary Lindsey. I can’t think of any other song out right now that has this much girl power backing it. Little Big Town’s Karen Fairchild said this back in December, “there are not many women on the radio and not many ballads with that kind of lyrical content. I’m excited.” Is this song facing backlash just because it is “about pushing the gay agenda” or is it just too “sexy” for some people.

The song is currently ranked 17th on the Country Billboard charts. I would think it would be ranked lower had it actually been about lesbian lovers just due to how conservative the country music audience tends to be, but who knows. On the reverse of this argument, I do understand why the radio stations are complying with these demands for the song to not be played. The radio needs to have listeners to make money. If one song keeps the audience from listening, you can bet that the radio will stop playing it. I just think if we keep complying with people to get offended like this, when they really shouldn’t be, it will be harder for people to accept one another and be more open minded. If you think this song is about lesbians and it angers you, I just hope you will  listen to the song again with an open heart and open ears. And if this song was about a lesbian romance, how is that bad?

What do you think about “Girl Crush”? Why do you think this song is receiving so much hate? Leave your thoughts in the comments.

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Filed under New Country, News, Song Analysis

The Many Sounds of Zac Brown

A few days ago, one of my friends, who is a huge Zac Brown fan, shared a video with me on Facebook. It was of a performance they did a few weeks ago on Saturday Night Live with Chris Cornell. A song from their new album called “Heavy is the Head”.

This song sounds more like a heavy metal song than a country song, and my friend seemed rather shocked with this new Zac Brown sound. I can’t say I really blame him, and he probably wasn’t the only one. I think most people are accustomed to the “Chicken Fried” Zac Brown, and while I also think that he does a phenomenal job writing and performing country music, it’s pretty clear that he’s trying to move on and develop a new sound. I don’t think this is the first step he has made toward developing that new sound, either.

A few weeks ago, I picked up the latest album from the Foo Fighters called Sonic Highways. Now I know what you’re thinking, the Foo Fighters are not even remotely close to being a country band, and I completely agree. However, they have a song on this new album called “Congregation” which was written and recorded in Nashville and features Zac Brown on guitar.

This is clearly not a country song. Even before this new album though, Zac Brown and Dave Grohl of the Foo Fighters have been playing together. When Zac Brown debuted his song “Day For the Dead” on the 2013 CMA awards, it featured Dave Grohl playing drums onstage with the rest of the Zac Brown Band.

https://www.youtube.com/watch?v=UhU-fvEMHvM

This song, to me, has a bit more country sound to it, and it features the classic Zac Brown beanie that everyone knows and loves. However, I think this is about the time that Zac Brown started moving out of country music and more into rock. If you go on YouTube, you can find a ton of videos of Zac Brown covering Metallica, Pink Floyd, Black Sabbath and a lot of other classic rock bands, and he does an excellent job of it.

Personally, when I got to high school I kind of started listening to more classic rock along with some country music, and to see someone like Zac Brown who seems just as comfortable performing new country music as he does performing oldies rock hits is pretty awesome. There are some people who probably think of Zac Brown as a purely country artist, but the truth is he and his band are extremely talented. With that kind of talent, I say if they want to mix in some rock and roll with country, more power to them.

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Filed under Country Rock, Live Music, Music Videos, Southern Rock

Luke Bryan is Checkin’ Out of Spring Break

As a college student who just got back from the sandy beaches of spring break, I was stunned when I heard the news that Luke Bryan is calling an end to his domination as the spring-break-southern-state-country-music-concert-phenomena. After seven years on the spring break concert scene, Luke Bryan says it is time for him to let it go of his infamous spring break series, now that he is nearing forty years old (I don’t care what he thinks, I would see him in any concert any day no matter how old he is).

timthumb.phpI was shocked by this news because of the hype I realized he received while on my freshman year spring break trip, just two short years ago. Some friends and I had road tripped all the way down to Gulf Shores, Alabama and the entire car ride my friends played Luke Bryan’s 2013 Spring Break album Here to Party. To this day, I hear one of those songs and I can’t help but smile at the memories of lying on the beach and touching my toes in the Gulf of Mexico for the very first time. While I never got the chance to see any of his spring break concerts live, the song “Just a Sip” from that 2013 album will always bring me back to that very sunny trip to Alabama.

Luke Bryan’s reign as a country music spring break all-star started in 2009 with his album With all my Friends. From there he went on to have six more albums, and with each album came concerts in places like Gulf Shores, Alabama andluke-bryan-spring-break-ep-cover Panama City, Florida. The next six album tours were Spring Break: Hangover Edition, It’s a Shore Thing, Suntan City, Here to Party, Like We Ain’t Ever, and Checkin’ Out. His songs have been an anthem for students travelling down the beaches of America while they escape from the reality of school, homework, tests, and real life for just one week. And now, although his reign his over, those anthems will be sure to live on.

While it is always sad to think of the end of an era, it may just be a positive transition for Luke Bryan in to a new artistic light. He’s criticized with being “too bro country” for country music, but this could be a turning point in his career. He is gifted with a good voice, a pretty face, and the ability to make people want to sing along to his catchy songs. I would love to see some more out of him than just the party anthems he is most famously known for. Recently, he has dabbled in to some more somber themes that reflect on some of the hardships in his life, such as the song he sings about the loss of someone close to him “Drink a Beer.”

Luke-Bryan-CountryMusicIsLove-e1423094611227Although it is a bit bittersweet that Luke Bryan is ending his era as the Spring Break tyrant, I think that there are good things that lay ahead for him. I’m a Luke Bryan fan ‘til the end, and will remain loyal to him through whatever bro-country controversy that he may bring upon himself. But it is my hope that he now takes this newfound maturity at the age of almost 4 decades to reach out to more listeners with his music and show how talented he truly is.

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Filed under Bro Country, Country Pop, Dancing, Live Music

The New Zac Brown Band

A few weeks ago Saturday Night Live had Zac Brown Band as their musical guest. I hadn’t heard much from them lately, but I’ve been a fan ever since their album debut The Foundation. Their 2010 album You Get What You Give was another one of my favorites, and it sounded largely similar to the first one. I found out through their performance on SNL that they have a new album coming out called Jekyll + Hyde, scheduled for release in April. Since it had been a couple years since I’d seen ZBB perform I was expecting to see the signature Zac Brown beanie and to hear a couple bluegrass-influenced songs similar to “Chicken Fried” and “Whatever It Is”. Boy was I to be surprised.

The first performance was actually more like Zac Brown Band of old, as the band played the first single from the album, “Homegrown”, a country song about being proud of where you’re from or something along those lines. But even though the song sounded like a typical ZBB song, the appearance of Brown was different, simply because he ditched his beanie for a top hat. In addition, it seems as though Brown is trying to convey a “cleaner” look, with well-groomed facial hair rather than his scraggly beard.

Old Zac Brown

New Zac Brown

So it was obvious to me that Brown is trying to change his image, to what though I wasn’t sure. Then the band was introduced for their second song, and instead of a feel-good song like “Knee Deep” or “Toes”, the band played the second single from the new album called “Heavy is the Head”. The song is absolutely nothing like the Zac Brown Band we’re all used to, and my mind was blown. The song even features guitarist Chris Cornell from the rock band Soundgarden.

If you’re like me after watching this video, you’re thinking “Is that really Zac Brown Band?” I mean, that distorted bass line is nothing like we’ve ever heard from ZBB. This is a full-fledged heavy metal song. What’s even wilder is Brown’s “mad-hatter” top hat, complete with the feather.

ZBB

I’m not sure what Brown’s intentions are with this “personal rebrand”, but it seems like he’s ready to distance himself from the previous image of the band. It’s worth noting that most of their songs on the upcoming album will be more along the lines of what we’re used to, including the single “Dress Blues”, which is softer and more like a country song. Still, I don’t think they released “Heavy Is the Head” for no reason. To me, ZBB is trying to send a statement that they’re more than a country band, they can be rock stars too.

Another interesting fact about this song is that it’s the first Zac Brown Band song released to rock radio, rather than country. It’s also the band’s first entry on the Billboard Rock charts, debuting at number 37.

Even though I was shocked to discover the new sound/image of Zac Brown Band, I quickly learned that they have been a versatile band for a while. I found videos on YouTube dating back as far as 2009 featuring the band covering artists including Pink Floyd, Snoop Dogg, Rage Against the Machine, and Metallica, and they strangest part was that all of these covers were good. I never knew how talented the band really was, and although I prefer their original sound I would love to see them in concert.

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Filed under Country Pop, Movies and TV