Monthly Archives: November 2015

What The Country Music Industry Can Learn From Jason Eady

A good friend and I decided to go see the up-and-coming Nashville artist Chris Stapleton not too long ago, and while Stapleton put on a show that I will not soon forget, I found another star among the fray of openers that took the stage in a little honky-tonk down by the river in New Braunfels, Texas. Seeing that doors opened at 6pm that night, our group made the classic mistake of arriving right as the honky-tonk opened its doors in order to get the best possible spot for the Nashville star we were so eager to see. 3 small Texas country artists later, with still 2 more to go before Stapleton even took the stage, we discovered a red dirt artist who rivals the big Texas country names such as the Randy Rogers band or Pat Green: Jason Eady.

While many of the Texas country bands we saw at the River Road Ice House seemed to all blend together, their songs all sounding like the twangy slow songs occasionally accompanied by a steel guitar, something stood out about Jason Eady. He was an incredible performer, getting the crowd excited to hear music by an artist who has next to no presence on iTunes or Spotify and at many times throughout the performance I found myself surrounded by people two-stepping or swaying where they had been simply standing still for every other artist who had taken the stage thus far. My favorite song played by Eady (and one of my favorite songs of the entire night, believe it or not) was “Back to Jackson.” The song starts out with the typical neo-traditionalist sound of red dirt country music, but by the extremely catchy hook I couldn’t help but sing along. As someone whose music library is composed almost exclusively of country music and who is proud of their country music knowledge, I was genuinely surprised to talk to a local couple who had come not for Chris Stapleton (the main act and the talk of town in Nashville,) but simply for Jason Eady. The band has taken a genre which I found to be becoming a little worn out through songs which all sound too similar and cover the same couple topics such as back roads, the glorification of Texas and what it’s like to grow up in a little “water tower” town, reinventing the sub-genre through a mix of blues, Texas country a little small hint of Nashville’s polished style.

While it was great to hear an artist making Texas country a great genre again, there is a bigger lesson to be learned, both for listeners and for the Nashville music machine. Country music is a much more diverse genre than it is given credit for, or is approached by via the Nashville music industry. There are an unlimited amount of sounds that can be contained in the genre and so many topics that are yet to be explored. Why subject listeners to a legion of new songs that all sound the same or cover the same topic? When there is so much leeway concerning what can be produced musically, the country music industry as a whole is “dropping the ball” concerning new innovations in the genre, both musically and lyrically. Instead of giving listeners the same old thing they expect from country music, it’s time for the industry to mix it up a little bit and give audiences a taste of how diverse and unique country music can be.

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Filed under Blog Post 3, Live Music, Texas

Disney-Country Collaborations

Woody's Round Up

The only thing that could possibly rival country music for its domination of the market in manufactured sadness and nostalgia is, well, a Disney movie.

So I guess it makes sense that the Mouse House and country music would team up now and again to prey on our emotions and leave a trail of our glistening tears in their wake. Two recent Disney-country collaborations appear on a new album of Disney classics reinterpreted by popular contemporary singers.

we-love-disney-cdCalled We Love Country, the collection includes two country songs. The first is “Let It Go,” performed as a duet between Lucy Hale and the Rascal Flatts. Since Frozen is still fairly new and overrated, I didn’t respond strongly to that one. The second country song is Kacey Musgraves’s cover of “A Spoonful of Sugar” — a tune I strongly associate with my childhood. My mom and I watched Mary Poppins, like, daily, and I would stand on the staircase with an open umbrella and pretend I was flying.  Musgraves keeps it bouncy and light, but like vinegar and baking soda the steel guitar and my memories of that singing nanny are a mixture that yield a predictable response. I sobbed.

I started this post intending to share my ten favorite Disney-country collaborations. But since I’m running short on Kleenex, I’ll just focus on the top five. They’re ranked in order of the least to most likely to leave me in a puddle.

5. “Will the Sun Ever Shine Again” (2004)

https://www.youtube.com/watch?v=HnMrUuE4CvE

Disney’s cow movie, Home on the Range, is a disaster except for this heart-wrenching ballad by country rocker Bonnie Raitt. For many people (myself included), feeling nostalgic often involves longing for home and brighter days. But how does one go on when there’s no way of knowing if the sun will shine again? The song is good and sad enough it almost makes me feel sympathy for that ditzy, selfish bovine with the voice of Roseanne.

4. The Robin Hood (1973) soundtrack

I’m not sure how the Disney execs came up with the idea of hiring Roger Miller to write the songs for their movie about a medieval English thief. Probably, they wanted him to bring the same zany fun to the film that he had brought to songs like “Dang Me” and “King of the Road” in the mid ’60s. In fact, with the songs “Oo De Lally” and “Not in Nottingham” he gave the movie a soul and an emotional punch. “Oo De Lally” is as much an introduction to the characters of Robin Hood and Little John as it is a testament to their friendship.

3. “On the Front Porch” (1963)

If nostalgia had a voice it would sound like Burl Ives. Though he was a celebrated folk/country singer and an Oscar-winning actor, he is best known for voicing the character of Sam the Snowman on the classic Rudolph the Red-Nosed Reindeer TV special. In Disney’s Summer Magic, he plays a wise country bumpkin, and in one of the film’s best moments he gathers the other characters together to sing along on this ode to family, friends, and the simpler days gone by.

The song was written by Richard and Robert Sherman, who composed the songs for lots of the movies I obsessed over as a kid, including The Sword in the Stone (1963), Mary Poppins (1964), The Jungle Book (1967), Bedknobs and Broomsticks (1971), and The Many Adventures of Winnie the Pooh (1977).

2. You’ve Got a Friend in Me (1995)

Pretty much the whole point of Toy Story is to bring the tears of nostalgia into its viewer’s eyes. Do you feel guilty even considering trashing a stuffed animal you haven’t touched in ten years? Blame director John Lasseter. “Woody’s Round-Up,” performed by Riders in the Sky, appears in Toy Story 2 and is the franchise’s most traditional country song, but the tune that brings these movies’ fans to tears is “You’ve Got a Friend in Me.” At the end of the first film, the song is performed as a duet between Randy Newman and alt.country singer Lyle Lovett. Like Woody and Buzz, they’re an odd but perfect combination.

1. “Baby Mine” (1996)

This song from Dumbo is one of Disney’s most enduring classics. In 1996, Allison Krauss covered it for the album The Best of Country Sing the Best of Disney, and though the single floundered on the charts it netted her a Grammy nomination.

Like Mary Poppins and Toy Story, Dumbo isn’t just a movie I watched as a child — it’s a movie about the experience of being a child. How better to remind viewers how it felt to be both scared and comforted as a child than through a lullaby? Krauss’s version adds a bridge and a modern sound, and though the original brings me tears, it’s the cover that makes me melt. I sing the song pretty regularly to my own son at bedtime, which means my emotional attachment — not to mention the puddles of tears — will only grow in the years to come

Nostalgia is a difficult topic to discuss with other people because we all have such different experiences. Do Disney movies give you the same feels that country music does? What Disney-country collaborations that I’ve left off the list do you remember and love? Share in the comments!

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Filed under Lists, Movies and TV, Reflection

What I Grew Up To

Imagine every time you got into the car to go to a basketball practice, church or just out to dinner you knew exactly what to expect. Well, for my siblings and me, we did know what to expect. My dad would always play 3 country artists. I grew up in a small town in Maumelle, Arkansas and I can honestly say listening to these three country artists almost every day truly shaped sweet memories of my childhood.

  1. Garth Brooks

I know what you’re probably thinking… “Of course, who didn’t listen to him?”, but you’re right! To me, listening to Garth Brooks is a classic memory. Now, my dad and I tended to be a bit theatrical at times, so when it was just him and I in the car on the way to some event, we would always play “When the Thunder Rolls”. What a better song to play when you’re planning on acting and being all dramatic, right? I mean, really, who can’t resist to belt out and dance during the thunder parts of the song. The next most played Garth Brooks song was, of course, “The Dance”. My dad knew this one a lot better than I did, but I enjoyed it just as much.

  1. Dixie Chicks

Here we go, another wave of childhood memories come flooding back anytime I hear ANY of the Dixie Chicks songs. “Good Bye Earl” is still my jam until this day. While at the time, I only thought of it as a fun, upbeat song, I still bolt it out today knowing it is about domestic abuse. I think it’s a song that catches people’s attention and brings awareness to a serious issue. “Ready to Run” also deserves a huge honorable mention because my sisters and I use to act out that song all the time. While these are two of my favorites, every Dixie Chicks song that comes to mind has a unique place in my heart.

  1. Shania Twain

I saved good ole Shania for last because it’s a personal favorite. Her songs bring back probably the sweetest memories I have. Mainly because my dad belted out her songs louder than anyone, and if you knew my dad, you’d know why this was such a funny and entertaining site for me. “That Don’t Impress Me Much” and “Man! I Feel like a Woman” are easily my top two favorite songs by her. I mean, come on, can you imagine your father singing “let’s go girls” at the beginning of the song “Man! I Feel Like a Woman” and that not bringing a smile to your face? I didn’t think so.

63403_1612221839461_1793417_nNo matter what I tell people about my childhood from Arkansas, no story is told without mention of at least one of these country singers. That is how I know country music has touched my life and I have grown a genuine sentimental value from listening to it.

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Filed under Blog Post 4, Country Pop, Dancing, Garth Brooks, Reflection, Women

Chesney still kickin’ it

b151f48f27201928232caa0be8f6d17bJUNE 4TH, 2016!!!!!!!!!! ARLINGTON, TEXAS!!!!!! FINALLY I GET TO GO!

At long last, I will finally have the opportunity to attend a live Kenny Chesney concert. Nash Country Weekly released this past week on Friday that Kenny Chesney will be hosting 11 stadium dates this upcoming summer, and the one stadium I’m most excited about is at AT&T stadium, aka “Jerry World”, in Arlington, which is only about 30 to 45 minutes from my hometown.

49811-thumb-266x266The Spread the Love summer 2016 tour is starting out on April 23 in Auburn, Alabama at Jordan Hare stadium followed by a performance at Chase Field in Phoenix on May 7th before finally coming to Arlington. The tour follows along the lines  with the same mantra as previous albums of his such as “No Shoes, No Shirt, No problem” and  “The Big Revival Tour”, of “a passion of living and loving music.

The tour will also consist of other popular country artists which will only draw bigger crowds to his performances (which is pretty unbelievable since his crowds have been record setting as of late.) The other featured artists are none other than Miranda Lambert, Sam Hunt, and Old Dominion. These artists will attract more viewers making the concerts even more popular to attend. Chesney has been breaking records lately like I mentioned earlier, such as “The Big Revival Tour” where Nash Country Weekly reported that he sold more than 1.3 million tickets.

kenny-chesney-stadium-concerts-2016-tourI’m so excited to finally be able to attend a Kenny Chesney concert. I have never been able to attend a concert of his because either I was out of town when he came anywhere close to where I lived, had another commitment, he didn’t tour anywhere closed to Dallas, or I was too young to fully appreciate country music. If this was freshman year of high school I would not be anywhere near as excited as I was when I found out about this tour on this past Friday.

I remember growing up as a kid sitting in my dads truck listening to Kenny’s album “No Shoes, No Shirt, No Problem” and liking it but not truly listening to it. It was the first country album I listened to because of my dad which is weird since he told me he used to not like country music. He told me he didn’t start listening to it until he moved down here to Texas from New York and after actually listening to it, the stereotype that he thought it was completely changed.

220px-NoShoesNoShirtNoProblems“No Shoes, No Shirt, No problem” will always be my favorite country album not only because it was good music, but because I will always think of how my dad and I became closer listening to it in the summers over and over again.

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Filed under Blog Post 3, Live Music, Texas

Country Music HOF: Class Exercise

CMHOF&Museum

The Country Music Association (CMA) was founded in 1958 while country music was experiencing something of an identity and commercial crisis. With Elvis Presley, rock music, and the Top 40 format all on the rise, industry leaders feared that if they didn’t take action country music could disappear completely.

One of the CMA’s goals was to prove to the world outside of Nashville that country music had a significant audience and could make a lot of money. In a memo to radio stations interesting in tapping into the country audience, the organization offered the following guidelines:

Don’t approach the Country Music listener as a “different” type animal. . . . Don’t instruct your announcer to “sound country.” There is no reason for deejays to take on a phony accent, or drawl, because they’re programming Country Music. Don’t assume the Country Music listener is less intelligent than any other. . . . Be careful that your programming is not slanted down to your audience. Country Music fans are intelligent people. (Qtd. in Pecknold 147)

Since 1961, the CMA has also operated a Hall of Fame (HOF). The HOF’s procedures have evolved over time, but recently it has stuck to inducting members in three categories. The first category recognizes a “Veterans Era” performer, which means an artist or group that rose to national prominence at least 45 years ago. The second category recognizes a “Modern Era” performer, which means an artist or a group that rose to national prominence between 20 and 45 years ago. Lastly, the HOF makes an additional induction every year of someone who isn’t a performer. Sometimes it’s an instrumentalist, songwriter, or comedian. Other times, it’s a producer or studio executive. In our class, we’ll focus on the “Veteran” and “Modern” performer categories.

Today’s assignment

In class today, you will write a response to this post that includes two parts.

  • First, summarize the criteria that the HOF uses to decide the artists that it will induct. To do this, you will need to extrapolate your answer from a variety of sources including the excerpt from The Selling Sound and the HOF’s website. You’ll notice that both of these sources indicate several reasons that a performer may be inducted. Which to you seem like the most important?
  • Second, select one performer who has been inducted since 2009 and explain how he or she meets the criteria that you just outlined. You will need to do some additional research into the performer that you choose (using Wikipedia, etc.) to explain your answer.

Lastly, if you already know who you want to propose as a new member of the HOF in your final paper of the semester, then say who it is and briefly why.

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Filed under Class work, Hall of Fame