Yearly Archives: 2015

by Courtney Gonzalez | February 25, 2015 · 8:00 am

Two Steppin’

This past weekend I had the chance to visit Austin’s very own Midnight Rodeo. Not sticking to only traditional country music, Midnight Rodeo would switch up their two stepping to the wobble. While it was predominately country music so that I could practice my two stepping skills, I was able to take a break and get out on the dance floor with my gals and drop it like its hot because boy was it hot in there.

I got the privilege to go with a large group of my gal pals, which supported the old saying “the more the merrier.” While as a group we had the most fun at the breaks when songs like “Uptown Funk” came on, individually we enjoyed the country songs better because, honestly, where else can you find that kind of entertainment? Either grabbing a free guy or one of our friends we danced in circles around the dance floor to every country song that played. Being such a social event, country dancing is hard not to enjoy even if you are sitting that song out and just watching.

Now please don’t think that because we all own a pair of cowboy boots and live in Texas we are automatically great country dancers. My group and the dance floor ranged from first time dancers that had never laid a foot in a dance hall to pros who incorporated flips into their two-step. It truly was amazing to watch the expert dancers who made it look effortless. I fell right in the middle of those two being able to do the steps and a couple simple turns. I think we all enjoyed ourselves just the same no matter the skill level we were at. You could feel the energy and heat coming off of the dance floor from the people that were there to have a good time.

Now I challenge you to go and try it! This tutorial, excuse the woman’s outfit, shows you the very simple basics of two stepping. However, I believe getting out there and doing it is the best way to learn! Starting with a slower paced song will help you get your footing and eventually you will be able to keep up with a faster paced beat!

Tim McGraw’s “Just to See You Smile” is one of my favorite two stepping songs that you can try out at home with your cat, dog, cow or what ever else you have running around the house. I hope you try out you closest country dance hall and enjoy the experience as much as I did!

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Filed under Austin, Dancing, Texas

by Taylor Campbell | February 24, 2015 · 8:00 am

“Country Chameleon”

Tim McGraw’s recent performance at The Oscars on Sunday night reminded me of an article I read recently for my Country Sub-Genre project. A country blog titled The Boot did a feature article last week called “Country Chameleon: The Ever-Changing Music of Tim McGraw.”

The article provides arguments from both critics and supporters of McGraw’s changing style. Critics believe that Tim McGraw’s newer songs are too automated and are not happy with the electronic sounds of his music. For example one of the critics stated, “LEAVE THE AUTOMATED STUFF TO POP AND HIPHOP!!! I can’t be the only one that missed acoustic guitars and unautotuned voice.” It is noted that Tim McGraw, at age 46, has gotten to the point when artists start to wash out; McGraw, however, is actively keeping his music, sound, and image current to fit with the time. “[Tim McGraw] has always been among the first big-name artists to embrace new changes. That keeps his music sounding fresh and new – even if it risks alienating some of his more traditional-minded listeners,” states the author.

For these reasons I think Tim McGraw was the perfect person to perform the tribute to Glen Campbell. McGraw was able reach two different audiences thanks to his smart business tactics: those who like Glen Campbell and McGraw’s older style of music, and his current fans who appreciate his modern sound.

Although critics of Tim McGraw tend to be harsh, one has to appreciate the barriers he’s broken down to get to where he is now. McGraw has managed to stay a threat and country music power figure even with his growing age. This is especially difficult considering he has done all of this as a member of the country-pop sub-genre. Older fans criticize McGraw’s changing sound and believe he has abandoned his roots, but as an artist if he’s happy with his work and is successful at what he does then who are we to say that Tim McGraw isn’t being true to himself? I’ve grown up listening to Tim McGraw and as a fan I think we should be commending him for keeping up with the fast-paced and always-changing modern music business, rather than tearing him down.

What do you think? How was Tim’s performance on Sunday night? Is Tim selling himself out for modern fame and fortune? Leave your thoughts in the comments below!

2 Comments

Filed under Awards, Country Pop, Countrypolitan, Live Music

by Julianne Staine | February 23, 2015 · 10:11 am

Tim McGraw Performs at the Oscars

Tonight, on Sunday, February 23, 2015, Tim McGraw performed at the Oscars, cowboy hat and all. He didn’t belt out one of his classics, but instead performed an original song by Glen Campbell, from the movie, Glen Campbell: I’ll Be Me.

The song, “I’m Not Going to Miss You” was sad and beautiful, describing the experience of getting Alzheimer’s and losing your family and the experience that country singer Glen Campbell is going through. And Tim McGraw, without much production, let his performance speak for itself.

I am a huge Oscars person. I love all awards shows in general, but as a movie fanatic, this one takes the cake. I am also a Tim McGraw fan. (I have seen him at the Houston rodeo a ridiculous amount of times.) I absolutely loved seeing him perform, staying true to his roots with his country style simplicity up on that stage.

Watching McGraw’s performance made me think about his evolution as a performer. Growing up in Houston where country music dominates half of the radio stations, I was very familiar with his dozens and dozens of chart topping hits, like “Live Like You Were Dying” or “Just to See You Smile.” But as I grew older, McGraw’s presence in popular culture continued to evolve and expand. He was no longer just known for his country twang, but instead for his acting chops. From Friday Night Lights to The Blindside, Tim McGraw was all of the sudden on my television more than on my radio.

What I found really interesting about this change in career path for McGraw is that he somehow still felt like the same country singer. While I do struggle to recognize him without his beard he sported for the better part of a decade, his personality and career decisions still line up with the Tim McGraw country star persona. He’s not starring in action flicks or comic book movies, but instead he is playing roles pretty similar to himself or related to the roots of country music. Whether it’s Sandra Bullock’s husband hanging out in his native Tennessee in The Blindside, or playing a guy in the country music world in Country Strong, there’s an element of Tim McGraw in every role he picks.

The song he performed tonight might not have been his own, but it certainly made me nostalgic for some McGraw hits and it also made me wonder what next movie he will be in. Hey, maybe next time he will be up on that stage accepting an Oscar! You never know!

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Filed under Awards, Country Pop, Live Music, Uncategorized

by Gabrielle Hernandez | · 10:00 am

I’m Not Gonna Miss You

Gowns, tuxedos, the red carpet, and little golden men. Put them all together and what do you get? The 87th annual Academy Awards. This is the biggest night in Hollywood. You might be wondering “Yeah okay the Oscars are about movies…how does country music come into play?” Well, my friend, I have two words: Glen Campbell.

Campbell’s song “I’m Not Gonna Miss You” was nominated for Best Original Song. The song, written by Campbell as well as Julian Raymond, was featured at the end of his documentary Glen Campbell: I’ll Be Me. They took home a Grammy for the song just a few weeks ago.

In 2011, the country-pop icon announced he had been diagnosed with Alzheimer’s disease. He is now 78 and suffering through the late stages of the disease. The song was written as a love letter to his family. It details how he won’t understand the pain they feel when his memory is lost to the disease. Raymond commented on the situation saying that Campbell unfortunately could not comprehend what the Oscar nomination meant because of this condition.

Due to his health circumstances, Campbell was unable to travel to the Academy Awards to perform his song. His family personally asked fellow country music artist Tim McGraw to perform the song in his place. McGraw and wife Faith Hill attended the awards last night, as well as Campbell’s wife and daughter.

Seated on a stool set on center stage, McGraw gave a performance that definitely tugged at some heartstrings. With nothing to distract from solely listening to the lyrics, Campbell’s song was absorbed by those who heard it. Anyone who has or knows someone with Alzheimer’s or dementia can feel the heartbreak of the song. It is the person(s) the song is directed towards rather than the person singing the lyrics who is the one suffering emotional pain.

His song did not take home the Oscar, but I know his family took home something from the performance. It was a very heartfelt tribute to a great artist. I listened to Campbell himself perform the song and it is hauntingly beautiful. McGraw executed the performance with grace.

The music video for his song shows clips of Campbell through the years. With and without the disease, his love for his family shows through. “You’re the last person I will love/You’re the last face I will recall/And best of all, I’m not gonna miss you.”

2 Comments

Filed under Awards, Countrypolitan, Live Music, Song Analysis

by Shannon Smith | February 22, 2015 · 8:00 am

1990s: New Country vs. Country Pop

After reading “The Commercial Country Explosion” chapter from Jocelyn R. Neal’s book, Country Music (2012), I really began to think about the differences between “New Country” and “Country Pop” from the 1990s. I grew up listening to both of these country genres and never realized the distinction until now.

The ‘90s made way for a fresh batch of country music artists who wanted to make a new sound for themselves. On one end you had new country, a simple song form (verse-chorus) that involved two-step, waltz and Cajun two beat rhythms, while country-pop contains pop riffs and the short memorable hooks. The country pop sound really evolved with the changes in technology and began to feature sound effects, a full harmony backup and dense musical textures. New country on the other hand highlighted the fiddle, steel guitar, and a sharper drum sound. These genres also introduced the distorted electric guitar solos that today audience loves so much.

The instrumentals weren’t the only thing that distinguished these two genres. The artist’s voices were inherently different as well. New country included male artists like Garth Brooks and Tim Mcgraw, whose baritone voices began to smooth out the honky-tonk twang. New country’s female artists, like Trisha Yearwood and Martina McBride, became known for their open throated ballad singing. Country pop featured auto-tune and took on younger and sexier sounds with artists like Shania Twain and Keith Urban.

The themes that these two genres tackled were also inherently different. Country pop was very optimistic and included concepts of personal fulfillment and independence (“Any Man of Mine” by Shania Twain). New country featured songs about societal problems, feminist concerns, and working class values (“Friends in Low Places” by Garth Brooks). Both themes really helped push society and country music into the 21^st century.

I personally love both genres because my mother used to play both around the house while I was growing up. There are so many differences between the two genres that I could never pick a favorite. I have included some of my favorite songs from both genres below so that you can see the differences for yourself. The 90s amazing time for country music because the artists began to put on stadium concerts and really connect with their fans on a whole new level. Country music wouldn’t be what it is today without both country pop and new country.