by | March 28, 2015 · 8:00 am

Country Finds Its Beach

After spending the past week on a beautiful Bahamian beach listening to nothing but the waves on the shore and country music, it dawned on me that there may just be a new subgenre of country that, though small, is growing. Usually country contains themes of back roads and conservative ideals, but beach country has definitely changed that, evoking themes of sand, surf, and piña coladas.

This trend seemed to grow out of greats like Jimmy Buffett and his Margaritaville to Kenny Chesney and is now dominated by Luke Bryan and, to an extent, Zach Brown Band. Of course there are many others who have made music that sounds more beach-y than country, from Brad Paisley to Garth Brooks, everyone is hoping on the sandy bandwagon.

Luke Bryan in particular took advantage of this niche market by creating multiple spring break sets and performing in popular spring break locale Panama Beach. For the past seven years, Bryan has released a Spring Break EP to accompany his shows. Although the music isn’t his highest quality, it definitely is meant for the beach and the young adults that flock to it. This spring break marks his final shows and at 38 that’s probably an appropriate move as he’s two decades older than the average college freshman.

I think the expansion creates an interests from a wider fan base, one that might have traditionally listened to soulful and smooth Colbie Callait or Jason Mraz and wants to hear more sunny tunes. It definitely appeals to younger audiences and allows them an easy segue into more traditional country, particularly when such big names and well-known artists delve into the beachy trend.

However, I think the island tunes are become a lot more than a trend. Many have begun to incorporate more Caribbean sounds like the steel pan and mimic some defining characteristics of Calypso music with rhythmic and harmonic vocals.

Here are some of what I think are the most defining songs of the beach country movement:

Margaritaville – Jimmy Buffett

This is probably the most iconic and well-known beach country song. First recorded in 1977, it eventually reached number 8 on the USA music charts and number 1 on the Easy Listening charts. It evokes images of the beach, margaritas, and women. What makes it country is mostly the guitar and the alcohol and women references.

https://youtu.be/J17sdUGOct0

Two Pina Coladas- Garth Brooks

Garth Brooks is largely celebrated as one of the best country artists of all time. When he released this song in 1998, it hit number 1 on the US and Canadian country charts. It, too, evokes the slower, harmonic vocals with some call-and-response tactics while using themes of alcohol, lovesickness and the beach.

No Shoes, No Shirt, No Problem – Kenny Chesney

Kenny Chesney is nearly unparalleled in his ability to capture the laid-back living that comes at the seaside. In this instant classic, there’s a clear mix of country and Calypso with steel guitars, acoustic guitars, drums, and tambourine. The island escapism so often seen in many of these songs is clearly evident here as he sings, “no boss, no clocks, no dress code.”

Suntan City – Luke Bryan

Like said, Luke Bryan’s spring break EPs aren’t his greatest works. While this song sounds different from the previous three, I think it still stands as beach country or a blend of bro-country and beach. It was released on Luke Bryan’s first spring break EP, “Spring Break… Here to Party.” It talks about a lot of similar themes as bro-country like women, beer, and kicking back with friends (in this case on the beach).

3 Comments

Filed under Country Subgenres, Live Music, Music Videos, Progressive Country

Tagged as , , , ,

by | March 27, 2015 · 8:00 am

Country Fascinated By Being “Homegrown”

One of the first words that come to mind when I hear “spring break” is road trip. Everyone leaves Austin and road trips somewhere, whether it be to Panama City, Gulf Shores, or just going back home. After making my way through the numerous midterms thrown my way, I made the choice of my spring break road trip to be driving the hour and a half trip home. As I drove home, switching between country radio stations the whole way, I realized that two songs in particular were played more than others. Not only were these two songs played a lot, but they also shared a very specific word in common: homegrown. I am talking about the songs “Homegrown Honey,” by Darius Rucker, and “Homegrown,” by Zac Brown Band.

Darius Rucker Homegrown HoneyDarius Rucker’s “Homegrown Honey” was released in August 2014 as the first single from his upcoming fifth studio album. The album, Southern Style, will be released on March 31, 2015. Rucker wrote the song with Charles Kelley of Lady Antebellum and Nathan Chapman. It is about a country fish out of water that is turning heads. On the other hand, Zac Brown Band’s “Homegrown” was released on January 12, 2015. It is the first single from the band’s fourth studio album, Jekyll + Hyde, set for release later in 2015. They sing about a man satisfied with the life he has rather than what it could be.

Zac Brown Band SNLAfter noticing that these two were only released five months apart and how their titles very closely resembled each other, I began to notice that they both depict being “homegrown” as a positive trait for one to possess. They both talk about someone’s roots, in particularly southern roots, as a wonderful characteristic. While Rucker describes being “homegrown” as wearing boots and downing whiskey, Zac Brown Band describes a more simplistic “homegrown” as having a piece of land in the countryside. Both use southern stereotypes found throughout any country song today.

However, Darius Rucker and Zac Brown Band are not the first and only ones to write about being homegrown, or having southern roots. Other recordings from the country music genre include songs such as Jason Aldean’s “She’s Country,” and Miranda Lambert’s song, written for a series of Ram Truck ads, “Roots and Wings.” Both really hook onto the word “roots.” Aldean and Lambert describe the stereotypical southern symbols just as Rucker and Zac Brown Band. Aldean uses symbols such as cowboy boots and down home roots, while Lambert uses guitar strings and calluses to represent her father’s roots and mother’s wings.

https://www.youtube.com/watch?v=2AZLUohDCGo

https://youtu.be/xyurxBtdofM

Why is country music so fascinated with being “homegrown” or having “down home roots”? Do they sing these songs for their typical listeners, who are from more rural backgrounds? Or is it just a topic they know will sell?

1 Comment

Filed under Bro Country, Country Rock, Country Symbols, Music Videos, New Country, Song Analysis, Southern Rock

by | March 26, 2015 · 8:00 am

“Take Your Time” Video Has a Surprising Theme

imageEvery morning on my drive to school, I listen to The Bobby Bones Show broadcast on a country radio station in Austin. During spring break while listening, Bobby, the show’s head personality, was discussing Sam Hunt and his newly released music video for “Take Your Time”. Interestingly enough, the music video revolves around domestic violence, a highly publicized topic in the media since Ray Rice was charged with assault on his wife in 2012. After having listened to the song, I was surprised by the message of the video; it seemed to me like a song about romance, and a guy who wants to treat a girl right. After much discussion on the radio about how the music video fits with the song, I decided it was worth looking into.

The video opens with a confusing fight scene between two unrecognizable people, and the song starts with Sam Hunt walking away from the camera. The video alternates between these two people interacting and Hunt walking down a street. Hunt and the woman have multiple run-ins, but don’t actually interact. This woman takes care of cleaning up after her boyfriend, evident by the large quantity of beer bottles in their home. After the first chorus, the woman and her boyfriend are seen fighting, which takes an emotional toll on the woman. After he gets in a fight in the bar, the couple gets into a fight and he hits her. She proceeds to lock herself in their room while he is outside the door, and begins packing her clothes and her son to move. As she’s about to get into the car, her husband starts hitting her again. Sam Hunt comes up off the street and intervenes, allowing the girl to get away. The video closes out with the boyfriend walking off and the woman and baby safe, but with a large bruise on her cheekbone.

After watching the video, I can completely see how the song connects with the theme of the music video. His lyrics say “I don’t want to steal your freedom”, which clarifies that his intentions are only to help her, instead of taking advantage of her vulnerability in the situation. He also states that “[he] ain’t gotta call you mine”, implying that his interest is more focused in helping her with her situation than fulfilling his desires. Overall, I thought the music video was extremely relatable and deeply intertwined with the lyrics of the song. Sam Hunt portraying a character who acts a Good Samaritan is a great image to perpetuate as he gains more momentum in the music industry. I fully support the belief that the song and the movie follow the same plot line, and I think Hunt does a good job bringing a negative situation to public attention without being depressing.

1 Comment

Filed under Music Videos, Reviews

by | March 25, 2015 · 8:00 am

The Good Kind of Country Music

A couple of weekends ago, a handful of my friends and myself packed up a change of clothes, jumped in the car, and made our way to College Station. We were making our way to hang out with a couple of our sorority sisters as well as attend the probate of the brothers of Lambda Theta Phi Latin Fraternity, Inc. I was excited to be taking a mini-road trip to escape the stress of school for the weekend and to clear my mind with a nice drive down some country roads.

Since I was the one who would be driving, that meant that I also had control of the radio. Because I knew that my sisters are not big fans of country music, I took this into consideration and kindly turned the dial to a pop station. We got a good thirty minutes of Adam Levine, Taylor Swift, and Iggy before I had to find another station. Unfortunately (for them), shortly after we passed the Austin city line and made our way further into the country we began to lose signal of the pop station and I was forced to turn to a different station.

After browsing through the stations for quite some time, I finally came across a radio station that caught my attention. “Young,” by Kenney Chesney was playing. When I heard this song I initially had passed the station up but as I realized what song it was that was playing, I quickly returned to the station. It reminded me of intermediate school; eighth grade to be exact. It brought back memories of the group of friends I had in intermediate school, the little rebellious phase we went through, and how we would be going our different ways in high school. This type of country music reminded me of my time as a child, growing up listening to country music on trips to Corpus Christi with my parents and siblings.

Next came some good ole George Strait, Reba, and Garth Brooks. I had missed this kind of country music being played on the radio; today’s country music radio consists of artists like Florida Georgia Line, Luke Bryan, Lady Antebellum, and Sam Hunt (who I personally wouldn’t even consider country). I couldn’t really remember the last time I had listened to country music on the radio and actually enjoyed it. It wasn’t really until I spent an entire two hours listening to the country artists that I grew up listening to that I realized there was something wrong with today’s country radio. Today’s country music radio stations should follow the lead of this “Classic Country” radio station and I just might start listening to country music on the radio again.

2 Comments

Filed under Classic Country, New Traditionalism

by | March 24, 2015 · 8:00 am

Welcome to Rodeo Houston

FullSizeRenderThe 2015 Houston Livestock Show and Rodeo (HLSR) has sadly come to an end on this past March 22nd. Featuring artists from all different genres, such as pop, alternative rock and country, Rodeo Houston is a hub for great music. It is also a great place to let loose, eat good food, and watch champion bull riders! Besides the show my favorite part of the rodeo is the calf scramble. While I personally never participated in the calf scramble, my little brother did, and my dad is part of the calf scramble committee. Therefore I get to be up close and personal with it every year.

Now for those of you that don’t know, HLSR gives kids the chance of winning a $1500 scholarship if they catch a calf. The scholarship will fund their FFA and 4H projects for the upcoming year. They are also encouraged to show their heifer or steer at the next year’s livestock show. It is a great program that allows many kids to raise animals they wouldn’t have been able to if not for the scholarship. After the scrambling, the kids and audience get to enjoy another few events, and then (my 2nd favorite part) the CONCERT!

635624440226186392-DSC-0535This year I had the pleasure of seeing Blake Shelton and, boy, was it a great performance! He has a charisma on stage that makes the audience feel apart of the show. He talked about The Voice (http://www.nbc.com/the-voice), his wife Miranda and everyday life. My favorite thing he said was, “I’m sure there’s other things a lot of you dudes would rather have been doing tonight than sitting in here listening to me sing, but I want you to know that you did it for the right reasons—you did it because she wanted you to come out here.”(Blog) There were quite a few headshakes from men in the audience but when he followed up with “Doin’ what she likes” the men grabbed their sweet hearts and swayed right along.

Apart from playing all of his new radio hits he went back to the very first song he ever wrote. “Austin” separated the long time Blake fans from the newly acquired ones and brought everyone back to where he started. Since then he has grown into a great musician and entertainer.

I encourage everyone to go to the rodeo at least once in his or her life because it’s a unique experience. I mean riding rides at the carnival, eating funnel cakes and watching barrel racers isn’t an everyday thing for most people. I highly anticipate the rodeo every year and really enjoy it every time I go!

4 Comments

Filed under Live Music, Reflection, Reviews, Texas