Category Archives: Song Analysis

Diversity: The Biggest Factor in Corrupting Our World

Was there ever a time in your life that you let differences between you and someone else get in the way of love? Many people might think that having differences between one another is a valid reason for love not to exist, but in Collin Raye’s song, “Not That Different,” he states otherwise.

country-couple-forever-life-Favim.com-761265 Throughout country music there have always been songs written about love and relationships. Within this genre you tend to hear both the positive and negative sides of love, but rarely do you hear both incorporated into one song. “Not That Different” is a song I grew up listening to because my dad used to be a big fan of Collin Raye. Ever since hearing this song, it has stuck with me throughout the years due to the fact that its message doesn’t have to be strictly related to just relationships; it can be interpreted on a broader scale of love between any two people. When you break this song down, its overall message talks about how people can have so many differences, yet we still are all the same. As you will see, Collin Raye presents a message to all of us that we should look past the differences with others into their personalities that lie underneath.

Within the lyrics of this song, Raye states, “We’re from two separate worlds,” but “I laugh, I love, I hope, I try/I hurt, I need, I fear, I cry/And I know you do the same things, too.” Raye continues the song by stating that these factors are “What they had in common” and that they are “Strong enough to bond them for life.” But, the line that really ties the entire song together is when he sings “So we’re really not that different, me and you.” Despite the fact that this song is particularly about Raye trying to convince a woman to look past their differences and to love him, people can still take this powerful message of the song and apply it to loving people around the world regardless of the bigger differences people face in life.

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Throughout history, people have always let differences in race, gender, religion, skin color, sexual orientation, etc. affect how people treat one another. But it is important to know, despite these differences we have in comparison to other people around the world, that we all share similarities deep down inside…we are all still human. I have always found this song to be one of my favorites because of its compelling message on how love can overcome stereotypes, socioeconomic and political boundaries. Therefore, I think that this song is important for people to hear and to understand so that our world can continue to grow in a positive direction and turn away from its corrupt and judgmental state.

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Filed under Blog Post 2, Song Analysis

Sam Hunt’s “Take Your Time”: A Music Video Review

sam-hunt-instagramDebuting his first full-length studio album Montevallo in late 2014, Sam Hunt is fairly new to the country music scene. Upon first listening, I found him to be fairly similar to the rest of the up and coming bro-country singers; he didn’t appear to have an incredibly distinct sound or look (though I can’t deny that he’s completely gorgeous), and his lyrics seemed to discuss nothing more than beautiful women. This was also my first impression of his song “Take Your Time” (2015)—I thought it was simply about trying to pick up a girl in a bar. However, after watching the music video for this song, I now have a deeper understanding of the song itself and a heightened respect for Sam Hunt as an artist.

The “Take Your Time” video is a completely unexpected presentation of the song as it tackles the difficult and raw topic of domestic violence. The video starts off happily by showing a woman, her husband/boyfriend, and their baby shopping together and enjoying kisses on the forehead. However, the story quickly turns dark as the man’s alcoholic tendencies and anger issues are exposed. Sam, watching these events unfold as a bystander, tries to find the best way to intervene. At the end of the video, he finally fights the man off while the woman and her baby escape in a beaten up pickup truck.

Sam’s lyrics “I don’t wanna steal your freedom / I don’t wanna change your mind / I don’t have to make you love me / I just wanna take your time” discusses his hesitancy in intervening in what appears to be an unsafe and troubling relationship. Sam is put in a difficult position as he struggles to find the courage to trust his instincts and take action. He isn’t trying to get the girl to fall for him, but instead is truly concerned about her well-being and wants her to “take [the] time” to get help.

I am completely impressed with Sam’s use of this video to promote social change and make a statement about something so real and under-discussed. Bringing issues to light is one of the first steps in creating change, and this song is the perfect example of how musicians possess the power to fight for causes that they care about. I’m excited to see where the rest of Sam’s career takes him, and am hopeful that he will continue to use his talent and passion to make a difference—ultimately encouraging others to follow in his footsteps.

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Filed under Blog Post 2, Bro Country, Music Videos, Reviews, Song Analysis

How Sara Evans Helped Me Get Over My First Breakup

So picture this: I’m 14 years old, I’ve been in high school for 6 months, and am awkward as can be. I still hadn’t quite figured out how the whole public school thing worked and I missed the 43 people I’d gone to school with for the past 10 years. Dressing myself was still a struggle because I’d only ever worn a uniform, and I was only so good at making new friends. I blame all of this on private school, but that’s beside the point.

Lets rewind to October 2010, my second month of high school. Enter the boy…we’ll call him Charlie. Charlie asked me to homecoming after I only knew him for two weeks and it was a HUGE deal. A boy? Liked me? It was crazy! The homecoming date progressed into a five-month relationship- this was monumentally long considering it was basically a middle school level relationship.

Unfortunately for my freshman year self and fortunately my future self, the relationship ended. At the time, it felt like the sky was falling. How could I possibly recover from being broken up with? I wallowed in self-pity for way to long, going over and over the heartbreak of the breakup.

That is, until one morning while I was getting ready for school and listening to Today’s Country Radio on Pandora, Sara Evans’ “A Little Bit Stronger” came on. This is the song that changed it all. Her country twang and singing style was different from most other female country singers so it caught my attention. This song in particular was exactly what I needed to hear. I guess you could say it “spoke” to me. The line “Even on my weakest days, I get a little bit stronger” ,in particular, got me out of bed and pepped up that day.

For about a month after that, I listened to that song every morning, day, and night. I would belt out the song along with her, I’m pretty sure the entire neighborhood could hear me singing “I’m better off without baby” at the top of my lungs. I credit this song as the inspiration for my high school comeback. From here on it got better. I figured out how to dress myself and made amazing friends, but I couldn’t have done it without Sara.

As my one-sided relationship with Sara Evans progressed, I discovered I identify with her a lot. She’s got opinions about country music that I can’t say I disagree with, mainly that there needs to be more equality in the genre, which is seemingly dominated by male artists. I loved a quote I found from her saying that she’s “excited to hear any song that’s not about drinking, or beer, or trucks, or partying, or jeans…” which can be found in this Rolling Stone Article here. I find her music refreshing, it’s different from most other songs on country radio stations right now. Not saying that every song about beer and trucks are horrible, but her music offers a nice reprieve from the common themes.

Lucky for me, these opinions of hers have led her to write songs that speak to people. Songs that tell a story and lift people up. And that help a teenage girl get over her first breakup and conquer the world of public high school.

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Filed under Blog Post 2, Country Pop, Reflection, Song Analysis, Women

Young Country

Most people assume that being the youngest child of a family is synonymous with being a spoiled brat, but I think otherwise.  Has anyone ever thought that maybe a child is a spoiled brat because their parents allow that? I, for one, am the youngest of four children and work for everything in life. For me, this is easily relatable to classic country music. Many songs like Dolly Parton’s “9 to 5” express hardworking woman, without discriminating against age or what number child you are.  dolly-parton-press-2014-650-430

Sure, there will be spoiled brats that just so happen to be the youngest child, but that goes for all stereotypes.

There’s more to being the youngest than just getting people to see you for you. Some of the biggest issues of being the youngest child are “How will I get people to stop stereotyping me?” or “Will I ever be able to break out of the shadows of my older siblings?”

Frankly, I can’t help if my parents look at me as their “baby” because I am. I’ll admit that, but it doesn’t mean I had any control over the matter. As soon as people hear I’m the youngest of four kids, they automatically begin to assume I’m either a trouble maker (which in fact is my sister-number 3) or I get what I want. While “The Baby” by Blake Shelton tunes into the youngest child stereotype, it also does a great job of describing how my mother sees me.

635511422966331949-XXX-GARTH-BROOKS-MUS-jy-0170-The same concept could go for people who are only children or the middle child. No matter where you are in the pecking order, it seems like you have a stereotype. Truth be told, I did tattle when I was younger, but as far as I’m concerned everyone has at some point or another. It even seems like youngest children get the most grief from their older siblings when they get older about their past. However, I’ve always found comfort in country music growing up. No matter how much my siblings and I fought, when we turned on Garth Brooks or the Dixie Chicks, we put all matters aside.

Despite what others may think, I know many youngest children who actually end up baring the most responsibility of any of their siblings. Getting a job and paying for my own things came naturally to me, but when I’d treat myself to things, I still would get stereotypical thoughts that my parents paid for it. If there is one thing that country music has taught me, and that I’ve been able to relate to my situation, is that hard work won’t always go unnoticed. If I keep fighting against these stereotypes, people may see me for me, not as the youngest child.

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Filed under Blog Post 1, Reflection, Song Analysis, Women

Home Sweet Country Home

Listening to Brad Paisley’s “This is Country Music” gives anyone a great overview of what country music is to a lot of people and clues the clueless into the values that it speaks to. However, there’s one line in the song that I think is majorly overlooked. In the second bridge, Paisley sings “This is real, this is your life in a song / Just like a road that takes you home / This is country music.”

I hadn’t thought about it much until I really started reading the lyrics, but that line characterizes the feeling I get when I listen to country. I think we all know it too—the comfort of turning down familiar roads and all the memories that start to flash across your mind’s eye. Your body moves almost as if on auto pilot because your mind is elsewhere. A pleasant, almost nostalgic feeling pervades my thoughts. It’s comfortable. It’s what I know.

Country music has been the soundtrack to my entire life. From the time I was born, it was engrained in my brain that George Strait is the King and that Alan Jackson is his right hand man. In fact, Alan Jackson’s “Livin’ on Love” was probably the first song I knew word-for-word since we played it coming home from church every Sunday. It’s like my family’s song, you know how boyfriends and girlfriends have “their song” or whatever, my family has one, too.

As I grew up, I learned that I could like things that weren’t just what my dad listened to—though raising me on the greats definitely influenced my taste. I became interested in different kinds of country especially female singers like Taylor Swift, Miranda Lambert, Carrie Underwood and others. Admittedly, they’re more pop country and it wasn’t a real shock to anyone when Taylor Swift left the scene to explore new avenues and a larger audience.

But something struck me about what she had to say at the CMA’s this year talking about when she left. She said that country music would always be her home and where she got her start. I think giving the genre that kind of recognition was important to fans everywhere because while we no longer lay claim to her as a community, we would welcome her back if she wanted to make a return. For me that speaks volumes about the community and sense of home country creates. Like Lynden’s mom said, country music is one of the most forgiving communities—from exploring new genres to problems in your private life, if you admit you’re wrong country will welcome you home. (Start at 3:52)

So whether country means literal home to you or just mimics the feeling of home, I think the community as a whole is, as Mrs. Orr said, like a family. We’re all connected by the common ideals that country promotes and a cohesive fan base that will support you no matter what which is something a lot of genres don’t have.

What’s your country story? Are there any songs or moments in country music that define your life? Do you agree that country music is like a home? Or do you think I’m crazy? Let me know in the comments! (Except that last one, I don’t need to know about that one).

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Filed under Reflection, Song Analysis